Gotham City

It’s been so long since I was here last that I had forgotten where everything was. So it was a nice surprise when I “found” the Jackie Kennedy Onassis reservoir late at night on a bike. This is from the north side facing back towards midtown. This night scene with the clouds reminds me of Gotham City.

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Gotham City
Gotham City at night

I rented the bike for the evening as a way to get around Central Park. I got a basket so I could carry my tripod, as I’d need it for long exposures. The park is open until one in the morning and it was a nice surprise to find so many people out at such a late hour. For me, nighttime is the best time to take pictures here because of the overall moodiness. I stopped so often to set up my tripod that I could have easily been here all night. It was very quiet and I was in the zone.

This panorama consists of four vertical long exposure images, each thirty-seconds long. The clouds were heavy which added to the drama of the scene. They are especially illuminated above mid-town, as you would expect. My guess is that the light given off by Times Square is easily visible from space.

more panorama images

It still amazes me that Manhattan has such a big park in the middle of the city. It’s a vital organ of the city; I think the lungs. Whether you are running, cycling or just sitting on a bench, this is where you come to breathe in, breath out and reconnect.

Private Fireworks

This is another image I took on Independence Day. Normally the fireworks are launched from the other side of the river but not this year. Had we known we would have crossed and sat on the south side. Nevertheless we made due and in the end I rather like this photo from just before nightfall. These were someone’s private fireworks before the real show by the city. The clouds on the left were alive with lightning and we had man-made and Mother Nature’s fireworks exploding in unison.

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Private Fireworks
Private Fireworks in Palmetto Florida

Most of my photos do not turn out the way I intended. That was the case this evening with the obstructed view. But it’s not always a bad thing. We think we know what we want, but chaos and randomness dictate otherwise. Go with the flow and work with what you have. Adaptability is the key to success in photography and life.

Before a shoot I have scenes in my head of what I want to end up with. The majority of the time I get something different. But knowing what I want those scenes to be is an advantage. The scenes will eventually appear and I’ll be ready because I will already have thought about it.

For instance, imagine a sailboat in front of a setting sun. If I have my mind set on that I might not get it on a particular outing. But at some point I will see it about to occur and I’ll be ready. The catalog of ideas in my head grows when I look at works of other photographers, or simply when I fail to get the scene I came for. The bigger the catalog in my head the more I’m ready for.

more cityscape images

On Independence Day I did not have this image in my mind at all, not even close. But I went with the flow and ended up with something I liked very much. But that other image is in the catalog waiting for it to come up again, and on that occasion I’ll be ready.

Get the Job You Deserve

The “Get The Job You Deserve” sign over Times Square is a mammoth structure. I hesitate to call it a billboard; it’s way bigger than that. I took this shortly after checking to a hotel in New York City. Coming from a small town in Florida to the heart of Manhattan is one heck of a jolt, just the kind I needed.

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Get the Job You Deserve
Get the Job You Deserve

I have a tip if you’re into photography and thinking of going to New York City. Book a room at the Courtyard Marriot on West 54th and Broadway. On one side of the building the rooms overlook Broadway and Times Square. This is the view from a corner room on the 28th floor. The location is about four blocks from Times Square and Central Park in the other direction.

I used to live here many moons ago. The city continues to change yet many things remain the same. It feels like there are improvements yet so much is familiar. Something I noticed is that cabs seem easier to find. My theory is that because so many people are using Uber, cabs are more available. I could be wrong; it’s just a theory.

For all intents and purposes New York City may as well be a nation; boroughs are like provinces or states. You could live in one section of the city and speak a different dialect than in another.

more from NYC

The city has it’s own gravitational field and laws of attraction. If you like the city you are drawn in, if not you are repulsed, there seems to be no grey area; it’s an all or nothing proposition. As for me, I am a monster fan.

Cityscape of Sarasota

This is a long exposure cityscape of Sarasota I took one night while waiting for the full moon to rise above the bridge. I was fortunate in that there was no wind and the waters of the bay were still. While that’s great for photos it also means there are a lot of mosquitos. I had a can of repellant and sprayed myself from head to toe: a minor annoyance but its a small price to pay in exchange for perfect conditions.

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Cityscape of Sarasota
Cityscape of Sarasota on a calm night

I never know when conditions will be good for photography until the last moment. If I had all the time in the world I’d go out every night checking. As a matter of fact I did that this evening before I sat down to write this. We had some dramatic clouds and I thought to get in position, but nothing happened and I drove home without a shot. It’s a numbers game; sometimes you lose and sometimes you win.

Earlier in the day I took a three-hour drive looking for compositions, in the end I got only one. The effort that goes into my photography is not carbon neutral. I should probably look into an electric car or just take the bus.

So that the time is not a complete waste I’ll listen to podcasts. I can get drawn into the stories such that the traffic, distances and time are not so monotonous. Even if I come back without a good composition at least I learned something. My favorite is Radio Labs, but I also like This American Life and sometimes Tim Ferris.

other cityscapes in the gallery

A lot of effort goes into making a good podcasts and the same holds true for photos. I love doing it so I rarely notice the time, but most of the images I post involve many hours of traveling, editing, expense, and sometimes even spraying myself with insect repellant.

Dawn in a Light Rain

This is a bench at a waterfront park just across the river from me. I took this at dawn in a light rain. My intention was to capture a sunrise but the sun never made it through the clouds. Sometimes I’ll come here to take pictures right after it rains but in this case it was just starting. I snapped a few shots and then retreated to my car to wait it out. After about fifteen minutes it got heavier so I headed home and this is one of the few shots I got.

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Dawn in a Light Rain
Dawn in a Light Rain at the Riverwalk in Bradenton Florida

I like this for the leading line and the bench under the light. If you look close you’ll see the rain under the lamp. When we see images like this we project ourselves on to the bench or out along the path. The projection is an automatic response, which leads to a reaction. If we see ourselves somewhere we want to be we’ll probably like the photo.

Thinking about how photos work and affect us is something I do a lot of. To most of us this is just a photo in a park, we don’t think about why we like or dislike it. It’s true that I have a habit of thinking too much, but I’m also curious about photos. I’m constantly learning by noticing things about images.

Urban Exploration in the Gallery

Some people go to the four corners of the earth to explore and get amazing photos. I like traveling too but I spend a lot of time around home. So I forces me to look past the mundane and think about the things that make a photo interesting. In that way it doesn’t really matter where I am. Even if I had to stay in one spot for a year I would try taking a new perspective each day. That’s a little challenge and game I play when shooting images of things I see often and close to home.

Independence Day in Florida

We sat along the north side of the river thinking the fireworks would be on the other side as in previous years. We were wrong and this year they were on our side. So as it turned out, waterfront homes and a palm tree obstructed our view. But what I thought was a minor annoyance turned into an iconic symbol of Independence Day in Florida.

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Independence Day in Florida
Independence Day in Florida from the north side of the river in Palmetto

In the middle of summer you can count on more than one type of fireworks. Thunder and lightning are as constant as the heat and humidity. There is a lot of energy in the sky and it can be mesmerizing to look at, especially at night.

Earlier in the day we were at an outdoor concert that was interrupted by a passing thunderstorm. The saying goes if you don’t like the weather wait ten minutes. We sat there in the rain and ten minutes later it was gone. The music started up again and in another ten minutes later our clothes were dry.

In the evening fireworks began on both sides of the river. Even though we had an obstructed view we picked a spot where we could see the lightning and fireworks. Lightning flashed about every five-seconds and it was nearly the same for the fireworks. It was hard to know which way to look.

night photos from the gallery

In this small town it’s exciting when we have fireworks displays along the river, it only happens twice a year, once for Independence Day and the other for New Years. However Mother Nature’s display lasts all summer. So if you like a lot of flashes and booms, this is the place to be.

Colorful Clouds at Dusk

This time of year we have colorful clouds at dusk nearly every night. This is a shot from a few days ago in my neighborhood. Normally for a shot like this I would use a tripod but I just ran out of my house in awe. Getting this image pushes the Sony sensor to the edge of its limits in terms of recovering shadows and details. If you zoom in you can pick out a lot of noise and flaws. Nevertheless I was able to get the scene in unfavorable conditions on a moments notice. I wish I had used a tripod, but in the end the Sony sensor compensated very well.

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Colorful Clouds at Dusk
Colorful Clouds at Dusk in Palmetto Florida

Where I live there seems to be some kind of atmospheric border. At around sunset each day the east boils with violent ominous clouds and the west is lit with broken clouds in a cascade of colors. I will see completely different weather depending on which window I look out of. It seems like the border between these two conditions is right over street. As soon as the sun sets the clouds settle down and any local storms subside. The tropical climate here in Florida can be truly different from one block to the next.

more cloudscapes from the gallery

By the next morning the sky is blue without a hint drama or clouds. But as soon as the sun heats up the clouds re-appear as though out of thin air. They get thicker and more dramatic throughout the day until thunderstorms appear and then dissipate at dusk. It’s a predictable pattern that repeats each day. Only when we get tropical depressions does this pattern change and then it’s anyone’s guess as to what will happen.

Examination of Society

Pictures from big cities like this are a mini examination of society. The scale shrinks individuals and we are left with dwellings, their architecture and proximity. That allows us to examine like an archeologist, learning about a society by studying its pathways and structures.

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Examination of Society
Examination of society through a wide angle lens

I took this from Vancouver Lookout which is one of the must see attractions. Even though it’s mainly for tourists it didn’t deter me from spending a couple of hours here taking shots in all directions. This one in particular I took with a wide 12mm lens. It causes the buildings to appear splayed in different directions. It may not be realistic but it creates a sense of movement to the scene.

Examining these scenes teaches us about the inhabitants at a collective level. At a personal level they teach us nothing. We cannot know someone’s heart by which floor they exit the elevator. However we start to understand a person by looking into his or her eyes, the windows of the soul. Maybe there is a parallel in cityscape scenes; the windows of buildings act as portals into the soul of a city. A million windows lead to a million individuals that combined are the essence of a place.

more cityscape images

I am drawing a long bow, but it’s an idea, that what makes a scene like this interesting is our invisible connection to the people behind the windows. I’m sure there’s more to it, but it’s an idea I have and for now and I might just take that with a cup of coffee and call it a day.

Departure from Normal

Manipulating scenes like this is a departure from normal, it’s not real so our minds are free to play a little; we each read into it something different.

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Departure from Normal
This scene is a departure from normal, a thought experiment

When in Vancouver I will often pass through this station. I can never get enough photos in and around trains. Among other things they are studies in leading lines.
I sat at the end so I could look back as we pulled away.

I’ve created a mirror effect, which for me is a metaphor for a choice between two paths, one direction or the other. When we are children we have so much in common; as we mature we diverge in different ways depending on a million things.

We choose one path or another every single day, and often we spend time wondering if we made the right choice. Sometimes we make difficult choices and then wonder about them later. Life is setup in a way that forces us to make decisions; we have no choice but to make choices. Not choosing is still a choice. Maybe the lesson is not so much the decision but how we deal with it after the fact.

more abstract images from the gallery

This image brings all that to mind, probably because I spend more time than I should thinking about decisions I’ve made. This is my metaphor for rushing through life’s stations, making choices, looking back yet trying not to look back.

The New Lens

I took this with the new lens that I purchased from Sony. It’s a 85mm and I shot it wide open at f1.8. I’ve been missing this focal length since switching from Nikon several years ago. I could have purchased one earlier but for one reason or another never got around to it. I’m glad I waited because from what I can tell this new version performs identical to lenses three times it’s price. The first time I used it was on a trip to the Bahamas. As we were walking through the shops and alleyways I took a few shots to see what it could do.

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The New Lens
The New Lens – taken with the Sony FE 85mm 1.8

Yesterday I wrote about how street photograph allows us to study a scene later. As for myself, I miss a lot of little details when I’m in the scene. I think we all do that, its natural. If three people walk into a place, each will see something different, like the three blind men and an elephant story. Maybe it’s wired into our DNA that we scan for predators which prevents us from seeing everything clearly.

This is where photography can play a role. It gives us a second chance to go back and see what was really going on. When I compare a photo to what I thought was going on it’s usually different to one degree or another.

Each type of lens allows us to record the same scene from a different perspective. Stand in one spot and aim the camera using a telephoto lens. Then aim it at the same spot with a wide-angle lens. Each capture will create a very different image.

more travel photography

Since each focal length creates a different perspective, choosing one allow us to go back later and see what we missed from that perspective. And of course there are infinite possibilities.

I think I’ve analyzed the hell out of that for now, but hey, that’s just how my brain works sometimes. Maybe I could just sum up the whole subject by saying that I’m digging the world at 85mm.