inspired photography with just enough perspective
I took this one of the times I was in Vancouver. As I recall, the weather was terrible most of the time, so I got a lot of practice wearing cold weather clothing.
I’m not complaining but, my wardrobe in Florida consist primarily of shorts and tee shirts. I am aware that most people who don’t live here are envious of that. However, when I do leave town, it’s fun to wear warm clothing. By fun, I mean for a week or two.
You’ll forgive me if I post another photo of the rain. Personally, it’s something I can’t get enough and just think it’s kinda cool.
Taking photos in the rain is akin to low light photography, the weather has a way of creating a mood. In Europe, it’s enhanced by the architecture of the old streets.
This was taken on a rainy October day in Malaga when I got soaked to the bone. About a year or two prior I did the same thing in Solerno. Back then I bought an umbrella from a vendor who magically appeared as soon as the rain started. I paid too much for the umbrella and then lost it on a bus. I’ve since given up on umbrellas when taking photos. Besides, it’s not really feasible to hold an umbrella and take a picture, unless you have three arms.
It might be an understatement to say it was raining cats and dogs in Malaga. But that’s of little consequence when you traveled over four thousand miles to get here.
I was determined to go out, come hell or high water. The universe obliged and gave me high water. I wore jeans, a light rain shell and got utterly soaked. The bus pass in my pocket was unreadable and plastered flat against my iPhone. When I showed it to the driver, she seemed more worried about my phone than the pass. Thankfully, iPhones are water resistant these days.
Speaking of which, I’ve read a lot about how the Sony a7RM3 is “water resistant,” so I decided to put it to the test. Imagine standing under a sprinkler. A little moisture got onto the lens mount, and the camera started giving me error warnings; however the camera and lens continued to operate, and I didn’t lose any shots. The camera got soaking wet. When I got back to the ship, I let it dry for a few hours, and it was perfectly fine. I suspect a tighter lens fit of a pro-grade GM lens would have eliminated that issue, but I was using the consumer grade 85mm f1.8, which I love as a lightweight travel lens.
All in all, I had a blast and, it was a good test of equipment and perhaps, my own craziness.
Last week we were in Malaga for a day as our ship made it’s only port of call before crossing the Atlantic. As luck would have it, it rained cats and dogs, which was perfect for my purposes.
I like shooting at night, but if I have to take photos in a European city during the day, rain is my next best friend. It puts everyone a little out of sorts as they rush to and fro with umbrellas. It also creates that nice sheen on the ground to add a little extra something to the image. The only catch is you have to be willing to get wet, which I did, beyond a reasonable doubt.
I had been here previously when I was about eleven years old. When I saw the section of the city that faced the port, little bubbles of long lost memories began to percolate. My conscious mind has long folded over those early years, but it would’ve been nice to have an old photo to help free more bubbles. Nevertheless, I was struck with the desire to return and explore a little more. So I will plan on that, and when I do, who knows what I might uncover.
Lummus Park runs parallel to Ocean Drive in South Beach. I was riding a bike here and taking photos in the middle of the day. I usually prefer to go out when the light is softer, but I thought to myself, what the heck.
The summer sun in Miami Beach is relentless, so I saw quite a few people walking with umbrellas. As for me, I made sure I had an umbrella in my drink. I figure if I collect enough of them I can use them for the sun.
For this shot, I lined it up and waited for the ladies to walk in the scene. It’s an easy technique, and I use it a lot when I do street photography. I suppose this is a street photo, although part of me wants to call it a beach photo. It really doesn’t matter; it’s just my analytical side working overtime.
Here is a series of shots I took last year when in NYC. I walked to Times Square late at night in the pouring rain. While that may not sound fun, it’s an excellent time to do street photography. The combination of lights, reflections, and umbrellas create scenes that are fun to watch, in a people-watching kind of way.
Because of the rain and the late hour, there were far fewer people out than usual. If you’ve ever been to Times Square then you know that’s rare. It meant I was able to capture little vignettes without too many distractions. Each of these photos tells a different story from that evening. It is up to you the viewer to imagine what that story is.
As the name of the series suggests, I’ve employed a vignette technique to each of these images to draw attention to the people. The setting, while electric, is only that, a setting. Each story is as different as the people that inhabit them.
Last year I was in New York City on the hottest three days of the year. It was unbelievably hot and the only thing to do at night was to walk around Times Square in the pouring rain.
I should be used to the heat from Florida, but it was no easier. Nevertheless, the rain and lights created fantastic photo opportunities that are entirely different than those I get back home. A nice effect is how the rainwater creates a reflective sheen on the pavement.
more street photography from the gallery
Taking photos at night in a city is a matter of experimentation. With a camera, we have several choices to make. A wide aperture combined with a high ISO allows a type of street photography without a tripod. However, with a tripod, we can take longer exposures if we want to capture light trails. In this case, I just wanted to capture images of the scene without special effects. For me, the most exciting thing was watching people out having fun in the rain; which by the way, was what I was doing also.
When in big cities I’m usually quite happy with rain. It creates scenes and situations that are interesting to observe.
First of all, people are carrying umbrellas which by itself creates a certain aesthetic. Then there are the motions people go through to keep out of the rain, like running from one source of cover to another. However, in places where it rains all the time, you will also notice how well people ignore it. Amsterdam is one of those cities where people are always outside, rain or shine. So it’s just as interesting to see what they don’t do as what they do.
In this case the couple were taking selfies and the gentleman was texting the pictures on his phone, oblivious to the precipitation. I noticed that in Amsterdam people are always riding bikes regardless of the weather, in some cases holding umbrellas as they go.
I haven’t quite perfected the art of ignoring the rain. I’m a duck and cover kind of guy. But from a temporary shelter I can stand there, observe and take photos of things around me. The best part of that is stepping into a bistro and waiting it out with a hot chocolate. Then, sufficiently refreshed I head back out for more fun.
I took this while walking around in the rain in the middle of summer. Even though it was raining it was warm and humid, not unlike Florida. However unlike Florida the energy of the city was entirely unique to me. I was very happy to be here, especially in the rain, because of the atmosphere it created.
For each image this week I’ve used Topaz to render part of the scene in an impressionistic style. In this scene all but the central subject has been “painted” by the software while I blended in the original image of the lady with the umbrella.
Having the ability to blend photos opens up choices in terms of artistic expression. I combine renderings of the software with realistic aspects of a photo. Then I work with color, saturation, contrast and shadows so I can re-create a scene more from my mind than actual event. In some cases that suits my preferences as it relates to photography.
I’ll continue to use this technique here and there. It’s all part of a creative process enabled by a fusion of technology, personal expression and photography.
When I was in Salerno it rained like cats and dogs. Italy had been in a drought that was just broken with a few days of heavy rain. Despite that I was happy to walk around looking for compositions while sheltering under entryways.
I took this during one particularly heavy downpour. I was forced to stay in one spot for an extended period, which in retrospect was a good thing. It’s sometimes better to pick a spot and let the world come to you. If you wait patiently, all kinds of interesting scenes will appear no matter where you are.
This is in an old shopping district of Salerno. The buildings and shops looked like they haven’t changed much in a hundred years. I got the sense that some shop keepers carried on traditions from one generation to the next.
more monochrome images
As the rain let up I continued to walk and eventually the narrow streets opened up into a newer section of town. The shops there were brand-name boutiques you’d recognize in any mall. As for me I preferred the character of the old section much more.