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Robot Drones Are Coming

Now tell me, do we get amazing sunsets in Florida or what? I took this crazy panorama of my hometown of Palmetto last Friday. In fact, my drone took this photo. I sat out front with a refreshing beverage in a lawn chair and sent my robot drone up to take the picture. Okay, so I’m exaggerating a little, I had to pilot it, compose the shot, and press the shutter button, but with a little more AI, maybe it could do that too.

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Robot Drones Are Coming
A multi-image panorama of Palmetto Florida one evening in August of 2018

Typically, when I take photos, I get my gear, put it in the car, and drive somewhere. Then I get the gear out of the car, walk, compose, and click. Then, I walk some more and do it again, over and over. After all that, I end up with one or two good shots, and then I’m tired. But this time I decided to sit back in a chair and send the drone up. No driving, no packing, no walking.

more panoramas

This whole experience got me thinking that these drones are very close to becoming robots. Fast forward ten years and I’ll be sitting in my living room with a VR headset talking to Siri. I’ll ask her to send up the drone, fly somewhere special, look around, and take a photo as if I was there myself. I won’t leave the comfort of my home. Does that sound absurd? I wonder if the idea is not too far off the mark.

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Lucky Scene at the Beach

This picture is from a series I took earlier in the year. On that night I was lucky to end up with a bunch of good photos. Sometimes it all comes together, other times not so much. So I keep going out and eventually, I draw the long straw.

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Lucky Scene at the Beach
This was taken on a lucky night of shooting at the beach

This week I had about twenty minutes of good shooting. I’m looking forward to processing those photos in hopes that I get a couple of winners. I’d be happy with one. (My fingers are crossed).

more from the beach gallery

The difficulty with the type of landscape photography that I do is that there’s a lot of chance involved. I head to a location and hope for the best. Another, more deliberate, technique is to return to the same spot day after day until the conditions are perfect. Some of the best photographers in the world do that. They nearly always get their shot, eventually. I don’t have the patience or perseverance to do that. But now and then I get good shots anyway, and on those days I consider myself lucky.

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Last Call at the Pier

I love the pier at Fort Desoto Park in St Petersburg. Not always, but often at dusk, the colors in the sky get so amazing that I go a little crazy with my camera. But the sun eventually sets, and I head home after an hour like a drunken patron after the last call. I wish it would last longer, but I’m glad its over. I know I have to leave so I can get up and go to work the next morning.

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Last Call at the Pier
As the light fades at Fort DeSoto Park Pier

One of the places I want to go (big time) is Iceland. But in the back of my mind, I wonder how I would survive. I see myself getting in a photographic frenzy, taking photos of waterfalls and landscapes to the point that I drop dead from exhaustion. But then, I can think of far worse ways to die.

more images with waves

But back to the beach here in Florida. When the conditions are like this, I go into hyperdrive. My mind is simultaneously racing and remaining calm. If I get too excited I’ll make mistakes or worse, drop my camera. It’s important to keep moving, but not frantically. And I don’t even know what the next image will be. I walk on when I finish one and look for another. Imagine if I did that all day in Iceland. I would inevitably end up lost or dead or at the bar until the last call.

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Old Photos Old Piers

Here’s a photo I took over three years ago when I still had my Nikon. Now and then I go back to old images and process them with new tools. What’s unique about this images is that the pier no longer exists, it’s replaced by a stronger one. With the tropical storms we get each year, the piers and docks take a beating and, as you can see, eventually need replacing.

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Old Photos Old Piers
An old photo of a pier that’s long since been removed and replaced.

In fact, that reminds me of the Anna Maria Island Pier. It was ruined in a hurricane last year, and it’s now demolished for new construction. It will be rebuilt, along with a restaurant in about a year. I have a ton of images of the old one, so maybe I’ll repost one this week.

more from the beach gallery

Images are memory aids. Without the pictures, we would forget the things from the past. When finding this picture in the backlog, I forgot for a minute where I had taken it. I’m so used to the new pier that I almost forgot how the old one looked. Pictures are like vitamins for the memory or some such thing.

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Epic Saturday Sunset

On Saturday evening I visited the pier at Fort Desoto Park. I don’t know why I waited so long to return here; it’s one of my favorite places. I was lucky because as you can see, the sunset was epic.

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Epic Saturday Sunset
Frome the fishing pier at Fort Desoto Park in St Petersburg, Florida

From the moment I got out of my car, I was busy taking pictures. I go camera-crazy whenever I’m in an idyllic setting. I dare say we all do; when I looked around nearly everyone was holding a camera of some type (be it phone or DSLR) taking pictures.

beach gallery

To make this final image I combined three exposures into Aurora HDR, made a few adjustments and then used Luminar 2018 to make a few more. I never repeat the same process twice. I do everything by feel, and I don’t write anything down. It’s a form of improvisation, similar to what a musician might do. It’s no wonder, so many photographers are also musicians, the creative process has certain similarities. Which got me thinking, I wonder what this scene would sound like if translated into music?

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Hometown Mangroves

This section of mangrove is within walking distance of my home in Palmetto. I think it’s interesting how the roots appear chaotic, yet the structures create a fortification against the erosion of the land.

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Hometown Mangroves
A section of the mangroves in my hometown of Palmetto, Florida

Half of Florida would be washed away if not for mangroves; they are an excellent example of how life evolves to overcome. It also seems like an example of order versus entropy, the seemingly disorganized root structure is well suited to ensure it, and the land survives in place.

other images of mangroves from the gallery

What you see here is an HDR image composed of five exposures. The mangrove roots were dark, so I blended an overexposed frame for that. The sky was bright in comparison, so I combined an underexposed frame for that. In the end, my seemingly haphazard approach to composition resulted in something slightly more enduring. It is my very own example of order from chaos. Perhaps that is what I should call mangrove photography. Or not.

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Lens Flare

The other day I went to Bean Point on Anna Maria Island to capture this image. I didn’t notice it at the time, but there is quite a lot of lens flare. Nerd that I am, it got me wondering about the optics that produced it. Might another lens to create a different effect?

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Lens Flare
A typical sunset from Bean Point on Anna Maria Island

Nevertheless, the photo was taken at f18 at its normal to get a starburst at that aperture; that’s how we get the star effects on street lights at night. However, this looks like a combination of starburst and lens flare, and that’s what made it a little unique, at least for me.

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The main reason I used such a small aperture was to get an extended depth of field; meaning I wanted everything to be in focus, from the plants up close to the clouds. Using a high f-stop number is a way to get that, however, because it restricts the amount of light coming in, you may need a tripod lest your images come out blurry from camera shake. In this case, the effect is like a splash of light; which goes to prove that happy mistakes happen all the time.

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Making Up Stories

This image is an example of the kinds of things you’ll see just by showing up to a location and observing. It’s not staged, yet it has receding elements: a girl, a bird, and a sailboat, not to mention the evening sun. The objects are receding, and from a compositional perspective, that’s pretty cool. Let me explain.

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Making Up Stories

There were other objects and people around, but I positioned the frame to simplify the image. Unconsciously our eyes are drawn from the close-up objects to those far away, and in that split-second traverse, each observer (you) creates a story. I refer to “story” a lot in my images, but what I mean is the musings of an observer (you). When you muse, you automatically make up a story. That makes me the story-teller, and now I’ve connected with you. It’s pretty simple really, and it’s the idea behind stories in photographs.

favorites in the gallery

We can create stories in different ways; for me, it often involves simplifying a scene and engaging the viewer. But each person is different, and we could take a complicated scenario and do the same thing, there are no rules. My photos at the beach are simple, but I also like busy city streets with a lot of things to explore. (In fact, I’ll post one like that next week.) But I digress. When taking photos, you want to tell a story. No matter where you are, you can compose the shot in such a way that when I see it, I make up my own story.

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Beach Bums

If I had a nickel for every one of these shots on the beach at sunset, I’d be, well, …sitting by the beach at sunset. But that’s what people do here, so I take pictures of it. When in Rome (or Florida as the case may be), you do as the Romans do.

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Beach Bums
A typical scene from Manatee Beach in Florida

Switching topics for a moment, I have a lot of lenses for my cameras. Some are expensive lenses designed to operate under demanding conditions. While I use them in specific settings, I use an older cheaper lens for my landscape photos. I guess my point is, for my favorite type of photography, I’m happiest when using the inexpensive equipment.

The reason I mention that is to say that photography should not be about the equipment. Any fool can buy a camera and take a picture; “yours truly” is a case in point. But framing an image that creates a story, that takes imagination. That can be done with any camera including the one on your phone. Everything has its use, but I think that when you are creating images, the best piece of equipment is between your ears.

beaches from the gallery

So there you have it, a little bit of photography advice from someone who’d rather be a beach bum. If you take that, and a handful of nickles you can buy a nice cup of coffee.

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Down by the River

After a rainy day last week the wind died down in the evening. When that happens, the water in the river becomes smooth like glass, which is the perfect time to take pictures. I made this near my home in Palmetto, just off the road next to the bridge.

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Down by the River
A section of the Manatee River from the Palmetto side of the bridge

This scene is an HDR image made of four frames with different exposures. By combining frames, the greenery and sun appear without either appearing blown-out. I use Aurora HDR from Skylum to process my HDR compositions. After mixing the frames, I usually make three or four additional adjustments to get it just the way I want it. I may also process it in Luminar which is another tool from Skylum.

more from Palmetto in the gallery

This area is a little section by the river that few people notice. It’s next to a major road that thousands drive by each day. As for me, I believe a photographer should work close to home as a way to practice seeing the familiar with new eyes. Seeing something new in the usual, or looking at it from a different perspective is a useful skill at home and abroad. So if you happen to be driving to work and see me standing by the river, now you’ll know why.