SFMOMA

This is inside the San Francisco Museum of Modern Art, aka SFMOMA. The last time I was in California I visited, seeing as many exhibits as I could. This is the central atrium with a skylight at the top. These types of shots are disorienting until you figure it out. That’s the whole point, a little mind puzzle.

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SFMOMA
An abstract rendering of the San Francisco Museum of Modern Art

I spent a lot of time at the photography exhibits as well as the abstract paintings. The photos were from film and taken over fifty years ago, documenting an era in LA that I found fascinating. The abstract paintings were just as intriguing, some with such extraordinary detail that it was hard to imagine the effort required. But then that’s the reason to go; to see new things and learn.

more interior photos

I visited each floor, finally arriving at the top where I walked across a bridge under the skylight, which is bigger than it appears here. There was a lot of stairs, a lot of walking and a lot of standing and observing. When I finally got to the top I took the elevator down and grabbed this image before leaving with a coffee and a head full of new ideas and inspirations.

The Most Photographed Bridge in the World

This may be the most photographed bridge in the world, that or possibly the Brooklyn Bridge. Nevertheless, every time I approach it I feel the need to take a photo. Never mind there may ten thousand photos of it taken that day, I still have to take my own. Is that crazy or what?

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The Most Photographed Bridge in the World
The Most Photographed Bridge in the World is the Golden Gate Bridge

Since cameras merged with cell phones we’ve become a photo-obsessed society. We see something that moves us in some way and we snap a picture. It’s as though we are creating an infinitely rich record of everything we see. Imagine if we combined all photos ever taken into some kind of database. Companies like Google are already laying that foundation so maybe it’s just a matter of time.

more from San Francisco

Anyway, this is one of many millions of photos of this bridge. Even knowing that I’m still moved when I see it and feel the need to take a picture. And if I’m lucky this image will be added to that great big database in the sky.

Sutro Baths at Lands End

This is from my last time here at Lands Ending in San Francisco when I must have taken a million photos. I like how the pool reflects the light of the sky against the sea. It’s what remains of the Sutro Baths from about a hundred hears ago and there is a history of it you can look up on Wikipedia. Speaking of which I just made my yearly donation to Wikipedia. I use it a lot and feel a sense of obligation to contribute.

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Sutro Baths at Lands End
Sutro Baths at Lands End in San Francisco

The west coast of California is something I took for granted when I grew up here. That, and I was more of a mountain boy spending time skiing and backpacking in the Sierras. Whenever I’d mention to someone that I was from California they’d assume I surfed, but to this day I’ve never rode a single wave.

Now that I’m into photography it’s renewed an interest in my homeland of California. So when I’m here, usually for other reasons, I take time for photography.

California Gallery

I had a flight back to the east that night and so I had time to kill and plenty of space on my memory card. So I stayed long after the sunset composing a million images until it was completely dark.

West Coast Skylines

This is a long exposure that I took of San Francisco from Treasure Island. I took this at the beginning of the year but if I go back and take it again today it would look different on account of the construction. I never really thought about it but changing skylines seem to be a normal thing. Constant change is an oxymoron if there ever was one but it fits what I see each time I go back.

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West Coast Skylines
West coast skylines are in a constant state of change

I guarantee you there are a million pictures of this same scene. Now there is one million and one. What I like about this one in particular is the detail and colors. I was here a month before and the same shot came out fuzzy. At the time I was using a light travel tripod that couldn’t hold the camera steady in a moderate wind. This time I took my Really Right Stuff carbon fiber tripod and it kept the camera solid as a rock.

I am born and raised in California so I know the area. Now when I go back I notice changes. I also used to live in New York. I’ll be going back there shortly so I’m sure I’ll be seeing a ton of changes there as well. The more we are gone the more we see.

Even when I leave home for a week or two I notice changes around my small town. It could be as simple as a new sign or a re-paved road. If I’d stayed it might have gone unnoticed, just part of the daily scenery. It seems we don’t notice gradual change, rather only when we’ve been away do we see the contrast.

more cityscape images

I think it all boils down to our ability to adapt to change around us; we are wired that way. As long it’s gradual we seem to pay little heed. However the only thing that’s constant is change and, …that will never change. If that’s not a circular argument I don’t know what is.

Palace of Fine Arts

On a recent trip to San Francisco I got up early one morning and came here to the Palace of Fine Arts. As it was a Sunday I had the whole place to myself. That by itself is an experience to say nothing of the photographic possibilities. I imagined myself in an ancient Rome as though a ghost out of time.

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Palace of Fine Arts
Palace of Fine Arts in San Francisco

In this image I placed the camera near the floor and aimed up with a Laowa 12mm f/2.8 Zero-D lens. It’s a special lens because it keeps the horizon flat without distortion, which is where the Zero-D comes from. Perhaps this is what the cat sees as he prowls the palace grounds each night.

As I look at this it reminds me that I’ll be heading back to Europe soon. I never know what I’ll see but I suppose that’s true wherever I go. When I go out to take pictures I have an expectation in my mind. That’s good for certain types of photography but on others it just gets in the way. When travelling the trick is to see what’s in front of me; I might miss something if I’m preoccupied with something in my head.

That’s not to say I don’t have a lot of ideas of images floating around. But it takes presence of mind to pick out details or compositions in a new place. Otherwise it’s better to work in a studio where we can shape an image to match our idea.

I normally take two or three lenses with me when touring. Like in this case I had the wide angle in the bag and so I pulled it out. I might experiment with taking just one lens on an excursion. Back in the day of film many cameras had a 35mm focal length. There’s a degree of liberation that comes with that because you stop thinking about the lens choice and just work with what you have.

more black and white

If I had to choose just one lens I’d start with the 35mm; that’s a good field of view to work with. But I also like the 50mm and the 85mm. Just thinking about the choice makes me anxious. Isn’t that the craziest thing you ever heard?

Atop a Cliff Overlooking the Pacific

As the name implies, the Cliff House restaurant is atop a cliff overlooking the pacific. This is a long exposure I did a few months ago. I came back about a month later and each time I was lucky enough to see a good sunset. As a result I have a tonne of pictures from every angle and many of them like this taken long after the sun went down.

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Atop a Cliff Overlooking the Pacific
Atop a cliff overlooking the pacific – Cliff House in San Francisco

I used to shoot film and photos like this were impossible. You might get close but it was trial and error and required precise measurements, settings and calculations of exposure length. Now in the age of digital I can have images like this in a matter of minutes and know exactly how it turns out. So it’s no wonder people like me love shooting in low light. It’s a relatively new phenomenon in the age of photography.

Speaking of cameras and the age of photography, that giant camera at the edge is a Camera obscura. The idea was first used in the 1600’s as a painting aid. It’s an ancient device that employs the same principal as a pinhole camera by projecting a reflected image on a wall or table. Here is a reference to it on wikipedia.

I wonder if cameras will become obsolete in some future timeline of ours. They have come so far in a few hundred years and things are not slowing down. Maybe our eyes will get replaced with hi-definition sensors and view screens and then we can choose to save images or share with others in a virtual reality universe.

california images

Would the people that invented the Camera obscure recognize the cameras of today? In that same vein then I will not recognize cameras a hundred years from now. Given where we are headed with sensor tech and VR, perhaps my idea is not so far fetched.

Sutro Baths

This is an example of looking in the other direction during a sunset. The warm light and color in the clouds can be just as valid an image as the sunset itself. These are the Sutro Baths which are at the north end of Ocean Beach in San Francisco. I took this from the Cliff House Bistro where you can eat with a view of the Pacific. I stepped outside to take a few pics of the sunset and then turned my camera north to capture this.

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Sutro Baths
Sutro Baths in San Francisco

Earlier in the day I was on those mountains across the bay at Point Bonita Lighthouse. It’s a thirty minute drive over the mountains with spectacular views of San Francisco and the Golden Gate Bridge.

I did not see whales on this visit but have at other times seen Humpback and Orca. I managed to get a few images last time but they didn’t turn out that great since I was too far away.

The Sutro Baths used to be covered by a big structure. There were seven pools that were heated to different temperatures. The baths could be filled at high tide in about an hour. These remnants are all that’s left of what was a popular attraction in late 1800’s. However they are still filled at high tide. At low tide there is a small beach just below the rocks.

San Francisco images

Anyway, this is a place to walk and hike around the cliffs and trails and look out to the sea. I recommend it if your in the area. And who knows you might even see a whale or two.

The New Bridge

Each time I travel to San Francisco I pass over the Bay Bridge. This new section was recently completed after a monumental construction project. Now they’ve started deconstructing the old one which sits adjacent to this. Finally after many months it’s getting so you can take a picture of the new bridge without it being crowded by the old one.

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The New Bridge
The New Bridge in San Francisco

I took this from Treasure Island which is halfway between San Francisco and Oakland. Fortunately it was calm that night so as to produce the colorful reflections on the water.

I take pictures of bridges because I find them fascinating and especially enjoy images at night. That’s because bridges form leading lines for our eyes to follow. They also have repeating elements to provide a sense of scale and direction. The link below is a collection of bridge pictures from places I’ve been.

bridges in the gallery

I grew up near San Francisco so I’ve been over the old bridge countless times. Maybe in a hundred years we’ll all fly drone cars and won’t need bridges. Until such time they’ll keep building new ones and i’ll keep taking pictures of them at night.

Lost in Thought

I can get lost in thought just as much as the next guy. We lead complicated lives. Breaking free of that is a theme with me and reflected in some of my photography. I look for and capture simplicity in a complex world. How did it get this way? We might as well ask why it rains. I think we pile on complexity as we go through life. We do it to ourselves without realizing the consequence. The more we maintain complexity inside, the less we are aware of simplicity around us; at least that’s my theory.

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Lost in Thought
Lost in Thought – Taking a walk and looking for clarity

Taking a walk can help clear the cobwebs. But how did the cobwebs get there in the first place? For me it can be emersion in something to the point that I associated with it rather than the real world. We all do that. If we can at least recognize that then we can know when enough is enough. By detaching from a problem at hand we’re open to things we might otherwise miss. Complexity is self defeating, it works against itself.

I believe that thinking too much is the source of discord. For example, they say money is the root of all evil, but maybe thinking about money is even worse. Thinking too much creates constructs in our minds that are no less real than road blocks in a construction zone. The key to clarity is, well, not thinking. That’s easier said than done. If I could not think for five minutes a day that would be something. Thinking is a tool, but incessantly revolving around something is how blocks occur. So many threads, so much to hold together, something is going to fall.

urbex in the gallery

Anyway, I took this picture of a man walking alone, surrounded by blocks, and only steps away from a clear pool. And that got me thinking….

Into the Scene

Whenever I see a photo of a bench I unconsciously project myself into the scene. It’s something I realized early in photography and a theme I’ve repeated through the years. An empty bench can be a metaphor for many different ideas. This one was at the base of the Coit Tower in San Francisco. In fact there was a girl sitting here earlier but I didn’t like how it turned out so I opted for the empty version.

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Into the Scene
It’s easy to project yourself into the scene

As I was saying we tend to project ourselves into photos or scenes. I’m not sure we’re aware of it but it’s a natural consequence of seeing. Where we put our attention is where we go in our mind. You can say a lot of things about what and who we are, but one thing for sure is that we experience things. We experience things physically in the world and we experience things in our inner world of thoughts and feelings.

If we see a bench in front of us, whether we are standing there or seeing it in a photo it’s nearly the same experience. So if we walk up to the bench physically or in our mind it is of little consequence. We don’t need to be somewhere to experience it. This is the essence of projection and it is something we do all of the time, whether we realize it or not.

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If we can pause momentarily and experience the sensation of looking out the window, in some small way we will each have shared a common experience.