Here’s an early morning shot of the Palace of Fine Arts. I came early because I wanted to see it lit up, and, I was still on eastern time.
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The Palace of Fine Arts in San Francisco
Because I was on a different time zone, it felt like mid-morning to me. Disassociation with local time is something I try to take advantage of when traveling. It allows me to get out early or late without much effort. Maybe that makes me sound a little lazy.
A couple of years ago I worked on a panorama of this, but I can’t find it now so I must have deleted it. I vaguely remember not being too happy with it. Nevertheless, I’ve taken another stab at it, and this time I’m satisfied. This is only one frame, but it looks a little like a pano. I didn’t do much other than a bit of color balancing and a crop. I guess I just needed time to forget about it and try try again.
On a recent trip to San Francisco I got up early one morning and came here to the Palace of Fine Arts. As it was a Sunday I had the whole place to myself. That by itself is an experience to say nothing of the photographic possibilities. I imagined myself in an ancient Rome as though a ghost out of time.
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Palace of Fine Arts in San Francisco
In this image I placed the camera near the floor and aimed up with a Laowa 12mm f/2.8 Zero-D lens. It’s a special lens because it keeps the horizon flat without distortion, which is where the Zero-D comes from. Perhaps this is what the cat sees as he prowls the palace grounds each night.
As I look at this it reminds me that I’ll be heading back to Europe soon. I never know what I’ll see but I suppose that’s true wherever I go. When I go out to take pictures I have an expectation in my mind. That’s good for certain types of photography but on others it just gets in the way. When travelling the trick is to see what’s in front of me; I might miss something if I’m preoccupied with something in my head.
That’s not to say I don’t have a lot of ideas of images floating around. But it takes presence of mind to pick out details or compositions in a new place. Otherwise it’s better to work in a studio where we can shape an image to match our idea.
I normally take two or three lenses with me when touring. Like in this case I had the wide angle in the bag and so I pulled it out. I might experiment with taking just one lens on an excursion. Back in the day of film many cameras had a 35mm focal length. There’s a degree of liberation that comes with that because you stop thinking about the lens choice and just work with what you have.
If I had to choose just one lens I’d start with the 35mm; that’s a good field of view to work with. But I also like the 50mm and the 85mm. Just thinking about the choice makes me anxious. Isn’t that the craziest thing you ever heard?
