inspired photography with just enough perspective
Recently we purchased a trailer and begun traveling on weekends.
After getting the hang of it, we went for a week and stayed here by the lake in the Creekside RV Resort in Savannah, Georgia. Having given up on traveling in the era of COVID, RV’ing seems like a good alternative. Suffice it to say; this was a nice place to hang out while maintaining proper social distancing.
Scott Lake was a detour of a detour I took while driving through Willamette National Forest. I took so many detours its surprising I made any forward progress at all.
I figured as long as I had gas and some trail mix I was probably not going to have problems. The only real dilemma was deciding when to turn back. If I didn’t need sleep, I’d have driven all night, and that would have been just fine.
more photos featuring the color green
I could see setting up camp here and exploring for a few days. As its the pacific northwest, I’d half expect to see a bigfoot. This area is so big and untamed that it would not surprise me in the least. At least this is where I would be if I were a bigfoot.
Here is a photo of Trey Ratcliff and Danny Levin that I took about five years ago. Danny and I were on one of Trey’s New Zealand photo adventures.
That seems like such a long time ago, but I still have a ton of photos and memories. I shot this on the original Sony A7R which was relatively new at the time. Now, I’m on the third generation of that camera, but I still own the original. Not too shabby if I do say so myself.
see more from New Zealand in the gallery
Actually, I processed this with the latest tools. In this case I Aurora HDR 2019 and Luminar 3. Those are also the third generations from Skylum, and I’ve been using them for three or four years now. Every time they come out with new versions I go back and find old photos like this to process. When I do that, it’s like taking a trip down memory lane.
Shooting right into the sun at f13 creates these long rays of light. I could have added them artificially with software, but these are the real deal.
A high aperture number is not something I use all the time, but if I want starbursts, it’s the way to go. The only problem is that dust spots from the sensor show up on the image; however, that’s easy to remove with photoshop.
A few days ago I visited this new section of Robinson Preserve. The creation of it took years, it’s one thing to landscape a bunch of acres, but quite another to allow nature to move in at its own pace. Finally, after several years of growth, I have yet another new landscape to explore with my camera.
In the solarium is this cool hot tub. I took this on the last night when everyone was in their rooms packing.
Even when the ship is completely booked, it’s large enough to find quiet spots if you know where to look. The solarium with its cushy lounge chairs and the Vintages wine bar are my favorite spots.
architecture photography from the gallery
For this shot, I used a 12mm wide-angle lens and mounted the camera on the ground with a Platypod. The Platypod is like a tripod for low perspectives. This is a long-exposure that would have been difficult to shoot any other way. With the Platypod it was a breeze.
On one side of Lost Lagoon is Stanly Park and on the other is the big city of Vancouver. You can walk from woods to towers in about ten minutes.
The name “Lost Lagoon” comes from a poem written by Pauline Johnson and laments how she lost the use of the lagoon for canoeing when the tide was out. I looked up that bit of trivia, so now we all know the origins of the name. The lagoon is now a lake cut off from the bay, so presumably, you can canoe without worrying about the tides.
more from Vancouver in the gallery
Usually I might try to frame a shot like this using the rule of thirds, but in this case, the reflections produce a beautiful symmetry. In my mind its a kind of urban dreamscape.
This stand of trees is known as Spirit Island. It’s one of the most photographed sites in the Canadian Rockies and can only be reached by boat.
You can trek here as well, but be sure to bring bear spray. Even so, if I were backpacking, I’d want to do it here. You can’t get the proper scale of the peaks from a photo; it’s beyond belief.
I took this over five years ago with my old Nikon D800 which I’ve since sold. It’s not the camera that matters but what’s holding it. I’ve changed a lot, and so have my techniques, so I need to give it another go. In the meantime, it’s still fun to look at these and go back in time to a place that hasn’t changed since then, or hundreds of years prior for that matter.
I took this image as I disembarked from the ferry to Victoria a few years ago. That was my first time visiting Vancouver Island, and I remember being thrilled at all the new sites. So, before arriving in town, we stopped here to walk around and take pictures of the scenery.
I used my first mirrorless camera, the Sony A7R. Now, as I go back and look at old photos I haven’t processed, I’m surprised at how well the images hold up, even against newer cameras. So I find myself going back to explore old RAW files with more modern tools and each time, I come away with few surprises.
The trip was the beginning of a week on the island, and some of my all-time favorite images came from that trip. There are different climates all across the island, and the geography varies widely. As a result, I was pulling over all the time to take pictures. That meant it took us hours to get anywhere, but since we weren’t on a schedule it wasn’t a problem, until the last day when we had to be at the terminal on time for the ferry back. That’s when I got a speeding ticket, but that’s a story for another day.
I just got back from Salt Lake City. It was my first time there and most of the time was spent in the valley or the mountains to the east. However on my last day there were flight delays so I took the opportunity to visit the Great Salt Lake before leaving. This is a midday view of Stansbury Island from a viewing platform at the state marina. The lake is big enough to have several islands that are extensions of the surrounding mountain ranges.
I was trying to figure out why it seemed so desolate and then it occurred to me there are no fish in the lake. No fish, no fishermen; it makes for a quiet lake. The lake is a terminus and has no outlet so the water simply evaporates leaving the minerals behind. In some ways it resembles desert filled with water. As such it presents an opportunity to do a study in minimalism, in this case I created a panorama consisting of two side-by-side images.
My ancestry goes back to the early settlers of this area. My grandmother used to tell us stories that were passed down to her about the hardships of the early days. My great-great-grandfather was the fellow that first spotted the lake as the early Mormons were looking for a place to settle. So I imagine this is not all that different from what he saw. I wonder if he was disappointed when they realized there were no fish in the lake.
more studies in minimalism
My mother grew up here and once told me that you could just float in the water without swimming. I once tried an isolation tank that used salt water. Because the water is so heavy you float without sinking below the surface. It was a feeling of weightlessness; I wonder if the same is true for this lake.
I had a short stay here but plan to come back and explore. Salt Lake City is a growing city and surrounded by scenery on all sides. It’s no wonder the pioneers decided to put down roots here.
This is another image I took from the slopes of Mount Bonpland in New Zealand. This location is above the northern tip of Lake Wakatipu. It was one of the last stops before heading back to the airport. We started early with subzero temps high up on the peaks and as the morning progressed and we headed to lower elevations we were peeling off the layers.
We made so many stops I can hardly remember them all save for the photos. The excursion was based on engine time so on some stops we’d jump out while the pilot kept the engine running, this was one such stop as the pilot was still at the controls up on the right. At other stops he’d cut the engine so that we had a little more time to explore and compose shots.
How I know where I was seemed nothing short of a happy miracle. I have an app on my iPhone called “gps4cam” that tracks GPS coordinates and then syncs them up with the photos using the image timestamp. I say it was a happy miracle because I wasn’t sure if it worked out of cell tower range. It does indeed because it uses the GPS receiver in the phone. So I ended up with exact locations of all our landings. That’s invaluable especially when I’m in areas I’ve never been before and want to review it later.
new zealand gallery
About three hours after leaving we returned to the airport. I’d taken about fifteen hundred images and seen many things I never imagined. The next time I go back I’d like to do something similar; it’s hard to imaging a better opportunity for a landscape photographer. Now if I could just manage to get back to New Zealand sometime soon.