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Urban Symmetry

This image was taken in central Barcelona from the rooftop of the Grand Central Hotel. At first glance, you’ll notice symmetry in the picture. That’s because I’ve mirrored the image, and then painstakingly altered it so that the equality is incomplete. In effect, I’ve taken something that was perfectly reflected and added randomness.

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Urban Symmetry
This mirrored image creates a sense of confusion on closer inspection

There are plenty of mirrored artifacts, but depending on how you look at it, it might play tricks on you. Our brains quickly suspect its a mirror, and then our eyes begin looking for proof. Depending on where in the image you look, it may not confirm your first impression.

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The photo is an exercise in abstraction and deception. It’s a time-consuming exercise to produce, but it’s fun at the same time. My purpose is to hint at one thing while throwing you off the trail and forcing you to figure it out. I hope you don’t mind a little harmless deception in the name of fun.

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Key Biscayne Layers

This image was a bit of a project to create. I stood on the South Pointe Pier facing Key Biscayne in South Beach. I took three pictures, each focused on a different point. The first was the railing, the next was the jetty and finally Key Biscayne off in the distance.

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Key Biscayne Layers
An abstract composition with Key Biscayne off in the distance.

I combined the images into a composite using a technique known as focus stacking. After that, I kept working on it until ending up with an abstract rendering that is neither real or imagined; it’s somewhere in-between.

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I could say something smart about layers, like how they are metaphors for something, but not today. The result is the product of a study in technique and abstraction. I had an idea when I took the shots, and I practiced various methods to get the image I wanted. Perhaps that’s the best way to describe it.

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That Evening in Venice

Because I did not set the shutter speed correctly this image came out looking double exposed and blurry, like an impressionistic painting. This is not something I intended but looking at it now it feels a little like my memory of that evening in Venice.

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That Evening in Venice
My impression of that evening in Venice

In my short visit I experienced sights, sounds and feelings. The more I go back to look at the photos the more my memories are formed. But it’s totally subjective and what I remember is unique to me alone.

There is much in life I don’t remember because I never took the time to. If we don’t think about something it may not make an impression and is soon forgotten. However when we do, we build memories from our impressions.

Memories are like paintings, they are renderings, not true recordings. In the case of art, impressions are more important than fact.

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The sounds of the oars in the water, the chatter of the gondoliers, the lights of the overhead windows and the evening shadows across the buildings; all of these combine into an impression that is so perfectly preserved with a simple camera mistake.

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Vancouver Terminal

This image is based on the Vancouver terminal, or YVR as its also known. Each time I travel here I am intrigued by the construction. The architects created an exoskeleton with which they hung the functional necessities of the terminal. The form and function are indistinguishable from one another. I’ve noticed this elsewhere and it represents an evolution in how we build.

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Vancouver Terminal
Vancouver Terminal in British Columbia Canada

In the software industry we employ patterns to do basic tasks. Patterns are the analogs of load-bearing structures used in construction. Software has always drawn parallels from construction, and soon I believe it will occur the other direction.

We are evolving into beings that live as much in software as brick and mortar. The trend is accelerating and the boundaries between virtual and physical are becoming more tenuous each day.

The Matrix struck a chord because it explored merging of physical and software realities. I believe we are on some of the same trajectories proposed in the movie. In another generation virtual reality will be as commonplace as a cell phones are now.

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When I see physical structures I think of their corollaries in software. Likewise when I build software I borrow construction techniques and terminology. Now opposite is beginning to occur with construction rendering which is an offshoot of 3D printing. We have begun to build physical structures with software as seen on this YouTube. We are now on the verge of yet another revolution in combining software and construction. The merging between software, virtual reality and construction and manufacturing are all but disappearing before our eyes.

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Impression of the Glow

This is an impression of the glow of the clouds. It represents a combination of old and new styles. I gravitate towards pictorialism, meaning that I take liberties to convey a feeling or idea. This is an example of that. I’m more interested in an impression than the actual event.

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Impression of the Glow
Impression of the glow from Palmetto Florida

I’ve taken a lot of Florida photos over the years and I have collection that I printed and framed several years back. I used to take those to art shows and sell them but then I got too busy and took a break. However I just did another show and what surprised me was that that folks still enjoy those scenes.

I suppose that shouldn’t be a surprise. Since then my own preferences and style have changed and I’ve moved on to different themes. Yet what I came to realize is that images that are old to me are still fresh to others.

cloudscape images

So my idea is to begin printing the newer images as well. I’d be curious to see if they have the same appeal as some of my earlier works. But in the end, I’m not sure how much that really matters. I think that as long as I continue to evolve as a photographer, what people think should not be my main concern.

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At the Waters Edge

I took this in front of a beach restaurant last Sunday. We like coming here because we can eat at the waters edge and stare out to sea. We arrived for a late lunch that turned into an early dinner and then decided we might as well stay for sunset. Sometimes its best to go with the flow, especially on a weekend.

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At the Waters Edge
At the Waters Edge in Bradenton Beach

Staring out to sea is like staring at a fire. It’s something that speaks to our subconscious. Once you start it’s hard to stop, like a long hot shower.

This is my interpretation of the scene that evening. By that I mean I imagined the girl on the beach was soaking in the sun and that it was rejuvenating her. I removed people because in my mind this is not about a busy beach. In this story she is alone with her thoughts.

A lot of people come here from all over to escape the cold and soak up the sun. Our heroine is surely one of these people.

I am glad to see the reaction of others because it reminds me of how fortunate I am. I spend a lot of time on photography and that takes me to the waters edge. I try not to take it for granted.

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I just read that the Gulf of Mexico will be warmer than usual this summer, that the water temperature has remained high this winter. That’s good for the visitors here now; however in summer we’ll have more storms and the scene will look very different. Regardless, I’ll probably come back to capture someone else staring at the sea. The weather may change but our need to sit at the waters edge will not.

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Skyline Reimagined

This is a symmetrical image of a skyline reimagined. It’s an abstract treatment of a nighttime urban scene. There is careful work lining things up and I made several mistakes on an earlier attempt. On a cell phone you’d never notice but blown up on the wall everything needs to be exact.

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Skyline Reimagined

Making kaleidoscopic images out of everyday scenes is like a meditation for me. It’s taking the ordinary and making it extraordinary. It makes me think of the mesmerizing power of patterns. Why is it that are we drawn to symmetrical patterns in art, nature and religious iconography?

I think they resonate with something deep inside of us. Archetypical patterns represent something sublime and beyond the everyday experiences. I wonder if this is one way to communicate on a higher level, in patterns and symmetric complexity. Is it possible that an alien race communicates in symmetric patterns of light and color?

Given the size of the universe is not out of the question. The universe is so big that our galaxy is but a grain of sand. And so perhaps another civilization does communicate in patterns of light, sound, color, …the possibilities are endless.

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It’s a thought experiment and in the end its fun to consider ideas like this. It can be just as fun as making patterns out of a cityscape photo.

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Central Foyer

This is the central foyer of the Royal Caribbean’s Radiance of the Seas. I took this early one morning which is the only time that no people are present. The central column is about eight stories high and is serviced by elevators and stairwells. In the evening this is augmented with a colorful lighting display. I found this perspective through a glass portal at the very top.

Central Foyer
Central Foyer on Royal’s Radiance of the Seas

At the very bottom is a bar, the next up is a Starbucks, then a champagne bar and so on up the levels. There are game rooms, libraries, areas for lounging, each level is unique. Often we would lean against the banister and watch the band playing music below or perhaps watch a demonstration on cake making. Certainly there are things to do outside, but on an Alaskan cruise there is plenty to do indoors as well.

This is a small ship by todays standards but it’s a sister of the first ship I ever saw, the Jewel of the Seas. I was and still am amazed that this type of space and architecture can exist on an ocean-going vessel. Yet to the truly big ships this is unremarkable. I’m a simple man, and to me, this is really really big. Getting on a bigger ship seems like maybe going to the mall with a hotel that floats. The sea is almost incidental.

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Anyway, my impression of these ships is one of awe, how they build them is way beyond my ability to comprehend.

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When I Was Young

When I was young I remember playing late into the evening during the summer. The days were long and it gave my friends and I an opportunity to stay out late, it was a good feeling. It’s strange because I never really thought about it until recently. I suppose this image reminds me of that just a little. I took this at dusk and the children were squeezing every last minute of fun out of the day, like I did when I was their age.

When I Was Young
I was young I played until late during summer

We lose that when we grow up, but at times we can glimpse portions of it. I get that magical sense sometimes when I go on vacation. I have no responsibilities and the evenings are for having fun. Maybe we all need to play a little more. Maybe play connects us with something important we’ve lost.

abstract images from the gallery

In the meantime I keep taking pictures of people and scenes at dusk and sometimes it reminds me of long lost memories. And then I think the only way to get those back is to go on vacation. And then I never get anything done. But pretty sure I’m happy in that world.