Just Enough Focus - Page 46 of 182 - inspired photography with just enough perspective

November 6, 2017

Sailboats in La Grande-Motte

I was La Grande-Motte a couple of years ago walking around with my camera. A friend who was running some errands dropped me off for the morning. It’s a seaside resort town on the Mediterranean and in that respect has a lot of similarities to where I live in Florida. I was here in the off-season so it did not have the normal crowds.

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I could be wrong but it seems like there are more sailboats in Europe than in the states. I’m no expert but I think we have more powerboats in the US. Nevertheless these long rows of docks are common in southern France.

more images from France

The symmetrical leading lines of the rows reflecting on the water fascinate me. For that matter, leading lines and water always grab my attention. It’s something I’ve taken photos of over and over again. There is a good explanation for it, I’m sure.

November 3, 2017November 3, 2017

Oasis in Plain Sight

One of the things I like most about Sarasota is their public spaces. This is a good example of that, an oasis in plain sight.

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I took this in the middle of summer when we get amazing clouds. I don’t normally take pictures of city parks but this one is situated right on the inter-coastal waterway so I couldn’t resist.

Every time I drive by this park seems empty. I’m not sure if people just aren’t aware of it or what, but it’s the perfect spot. Just stop the car, walk over to the water and sit on a bench. As far as parks go this is one of the prettiest in the area.

more Sarasota photos

This is an HDR image; I took three photos with different exposures and combined them in AuroraHDR. It makes it possible the show the whole range of light when there are extreme ranges like this. It’s hard to take an image like this any other way.

November 2, 2017November 2, 2017

Inside the Old Walls of Aigues-Mortes

This image is for me a study in the transformation of a scene. The photo was taken in daylight inside the old walls of Aigues-Mortes, southern France. However the photo appears to be in the evening. It’s an example of what I imagined verses what I saw.

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Street signs, power lines and crowds were all removed. I worked on the tones and the light. I added the illumination of the lamps and a sunset through the portal. Finally I added shadows and some subtle shades. In reality there is very little reality in the image.

But is there reality in a novel, movie or painting? They’re all renderings of an artist. Sometimes I tire of reality and prefer the world of imagination. I am a practical guy so these explorations are a departure from the routine of daily life.

more from france

Given how much time we spend in the day-to-day it’s advisable to escape for a while. For me, that means simply transforming a scene from day to night.

November 1, 2017November 1, 2017

Signs at Sea

When sailing you find yourself looking for signs at sea. Any kind of sign will do; weather signs, signs of land and signs of life. Open water doesn’t have the familiar frames of reference, so unconsciously our minds are pre-occupied with building one.

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This is not news to anyone who sails. The frame of reference for a sailor is different. Sailors know how to read signs and surely there are many more signs that we’re not even aware of.

This was taken as I sailed on a cruise ship towards Venice. To the combination of clouds, water and land on the horizon I added birds from another image. They were not in the original but for me they completed the scene.

more seascape images

The idea here is that these are all signs at sea. Chances are you’re much better than me at reading them.

October 31, 2017October 31, 2017

Bridge of Sighs

This is the Bridge of Sighs as it frames a crowd of people beyond. In this case I am focused on the crowds rather than attempting to obscure them. It’s a different perspective but something I’ve been exploring lately. Lets just say it’s a slightly different take on travel photography.

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My idea is to have crowds of people juxtaposed to architecture or in iconic settings. If it’s done right there’s something that makes us want to look closer. Normally crowds are not that interesting but therein lies the challenge.

Also I write about it because it helps me make sense of new ideas like this. The more I integrate it the more I can repeat this idea in different settings; it’s a form of study.

more bridge images

Writing is an integral part of photography for me. I take a photo, work on it and then write about it. In the end I have a something more than just a photo. All the while I’m learning something new and having a little fun. And as they say, it’s all good.

October 30, 2017

Calm Before the Storm

I took this a couple years back on Sanibel Causeway, which connects the mainland to the small island of Sanibel. We have a lot of causeways and bridges in Florida because there are so many islands. When I first moved to Florida the unbelievable number of bridges was one of my first impressions.

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Wherever there is a causeway you’ll find people standing at the waters edge with a fishing poll. In many ways this is a typical scene when driving around either coast.

The setting sun illuminated a large column behind the fisherman. I walked around and took a bunch of photos but within thirty minutes it had moved our way and we were covered in dark clouds. As I jumped in the car it started to rain and within a few minutes there was thunder, lighting and zero visibility. That’s a fairly common occurrence during the hot months.

more cloudscapes

This image continues a theme of simplification. I removed a lot of distractions to create an impression of the scene from that afternoon. In effect, this is the calm before the storm.

October 27, 2017

Another Vision of Venice

Here is another vision of Venice that I took from a boat. A vision is what best describes this place; it seems not entirely real. When you’re in Venice the real world seems to fade away and become distant. Venice holds its own kind of reality, like the fabled Brigadoon. And then the opposite happens, you leave and the magic dissipates and you feel that Venice was like a vision.

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Anyway, like some other photos I’ve produced, this was taken hand held at night from a boat. I’d normally use a tripod to get a better exposure with a lower ISO, but using a high ISO my camera’s sensor is able to recover most of the details of the night scene.

Do you ever notice that when you go to an amazing place you feel like you want to live there? Or maybe you feel like you’ve been there before. The excitement of seeing new places and the feelings it produces are why we travel in the first place.

more night photography

This is travel photography with a twist. It’s from a place that doesn’t seem real until you go there. It seems to have a reality slightly removed from the real world. Maybe I should call it vision photography, …or maybe not.

October 26, 2017

Corniglia

I took this photo of Corniglia from a small boat travelling along the Cinque Terre coast. It was a very hot day so sitting in a boat was a good option. We passed several little villages just like this and I was thinking it would be hard to imagine a more picturesque setting. The villages look remote and isolated but in fact are connected by trains, roads and a hiking path.

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In one sense it was a shame I only had a day here, but now I know where to come back for a proper visit.

more landscape images

When you look closely at these towns on the rugged slopes you realize they’ve taken centuries to build; the locations are most improbable. I believe they were originally properties of barons and such and the inaccessibility was a deterrent to pirates. Now they are communities with traditions, culture and hundreds of years of history. And based on the way they are built, I think they’ll be around for many more centuries.

October 25, 2017

Streets of Calata Doria

I snapped this while walking through the streets of Calata Doria in Liguria Italy. Try as he could, this gentleman couldn’t remember what he had for dinner last night. I offered a suggestion but he said they didn’t have a Taco Bell nearby. This is my version fake news.

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For some reason this man looks distressed but in reality I don’t recall that being the case, he was just taking a load off his feet and I happen to catch him with his hands just so. We all make expressions throughout the day that if taken out of context can send the wrong impression.

I feel a little like paparazzi when I take street photos of people. I prefer to have people look natural, but if they see me aiming they’ll react. The idea is to capture people unaware; it’s a more interesting study of human behavior.

The trick is to be as unobtrusive as possible. One technique is to line up a scene and wait for someone to walk through it. But if I’m too obvious folks stop and wait for me to finish, it gets a little awkward.

As Luck Would Have It

As luck would have it I ended up in New York on the hottest three days of summer. It was stifling during the day and muggy late into the evening. When it started to rain I headed down to Times Square to take some photos. Despite the crazy weather some people still showed up to see the sights. It was an amazing experience to be there in those conditions because there was so much to photograph.

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I have an idea in my mind to capture people in crowded places. It seems I’m always traveling to places that are heavily populated. So rather than try to pretend people are not there I look for ways to make the crowds part of the composition.

I enjoy this idea because it allows me to examine things in a different light. The images are studies of crowds and crowded places. A natural inclination for landscape photography is to not include people but with urban exploration it has a different set of rules.

more new york photos

Maybe I see aspects of myself in the faces of crowds. Regardless, it’s why I call these types of images studies, because from them, I have something to learn.