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Departure from Normal

Manipulating scenes like this is a departure from normal, it’s not real so our minds are free to play a little; we each read into it something different.

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Departure from Normal
This scene is a departure from normal, a thought experiment

When in Vancouver I will often pass through this station. I can never get enough photos in and around trains. Among other things they are studies in leading lines.
I sat at the end so I could look back as we pulled away.

I’ve created a mirror effect, which for me is a metaphor for a choice between two paths, one direction or the other. When we are children we have so much in common; as we mature we diverge in different ways depending on a million things.

We choose one path or another every single day, and often we spend time wondering if we made the right choice. Sometimes we make difficult choices and then wonder about them later. Life is setup in a way that forces us to make decisions; we have no choice but to make choices. Not choosing is still a choice. Maybe the lesson is not so much the decision but how we deal with it after the fact.

more abstract images from the gallery

This image brings all that to mind, probably because I spend more time than I should thinking about decisions I’ve made. This is my metaphor for rushing through life’s stations, making choices, looking back yet trying not to look back.

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Random People in Scenes

I use random people in scenes all the time. Sometimes a person is positioned in such a way as to create a scene. Street photography is all about people in scenes. One technique is to create compositions where people are juxtaposed to nearby architecture or structures. A simple example is a person waking past an archway. Looking for a composition is like a game; you feel a sense of accomplishment when you capture one. I haven’t played but maybe it’s a little like Pokémon Go.

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Random People in Scenes
Random People in Scenes in Bayfront Park in Sarasota

I took this at Bayfront Park in Sarasota recently. The park is an island with a trail around it and these swings are spaced every fifty meters. I come here when I want to do a mixture of people and landscape photography; it has plenty of both. As I walked behind this lady I think she knew I was taking pictures because she glanced back. She didn’t seem to mind so I paused to get several more.

I use people in this way all the time. Of course it’s better to be coy about it, if people become aware of what your doing they may change their behavior. Lately I’ve taken to carrying only a small 35mm lens on my camera. That way it doesn’t stand out so much and I can almost pretend I’m a casual shutterbug. In reality I’m on an undercover mission.

images with random people

One time it backfired on me. I was trying to be nonchalant as I took a picture of a rundown garage in a gritty part of town. The people inside thought I was snooping on them and started yelling at me. It turned out okay but I should have asked first. Most people don’t mind if they know what you’re doing. And if they do mind, well, no biggie, it’s just a game.

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People and Their Neighborhood

When I was last here in Vancouver I walked around Gastown at night and this is the first shot I got. It’s a random shot of the people and their neighborhood. I have vivid impressions of this part of town; mostly that it’s a cool place to hang out. There are bistros and bars galore and you can find anything you might be looking for. I also remember being amazed at how many people were smoking weed in the open, not just here but all over Vancouver. That’s a little like Amsterdam I suppose, not so unusual when compared to other progressive cities.

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People and Their Neighborhood
People and Their Neighborhood – a picture of Gastown in Vancouver BC

Street photography, especially at night, is a window on the soul of a neighborhood. I find that from random shots come insights into the character of a place. When walking around we observe a place but when we look at an image we study it. It’s not easy to study something when you are in it. Maybe that’s the attraction to street photography, it allows for a character study of the people and a place.

There is a symbiotic relationship between our neighborhood and us. When we talk we say; she is from this or that part of the city, as though it conveys some sense of character identity. Ever notice that?

more street photos

I’ve learned to appreciate street photography almost by accident. The more I do it the more I learn. In the end, it’s people and their relationship to their surroundings that comes through. You can see into it anything you want but for me it’s vignettes of life that I can study and learn from.

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Not Enough Focus

More than once on the blog I’ve mentioned that I prefer pictorialism to realism. I also prefer impressionism although I struggle for ways to express that in photography. One simple way however is through blurred images. This is an impressionistic street scene with not enough focus.

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Not Enough Focus
Not Enough Focus dot com

I shot this on my first outing with a new lens, the Sony 85mm 1.8. I didn’t purposely take this out of focus, it was a mistake, but I immediately liked it. It makes me think I should do more. I prefer images that leave something for the imagination; they are more engaging.

I use a variety of techniques to abstract images but rarely lack of focus. It’s a valid form of simplification and now I wonder why I haven’t used it more. I think maybe it’s because I’m normally preoccupied with ensuring focus is tack sharp. It’s hard to break that habit, but if done intentionally and for a specific purpose, lack of focus is a way to impart a feeling or impression.

It’s ironic that the most expensive lenses for photography are the ones that provide the most pleasing out of focus. The out of focus area produced by a lens is called “bokeh”. Reviewers will rave about the area of an image that is out of focus and how pleasing it is. The ability to focus a lens is a given, but to have out of focus areas at the same time, that’s another matter entirely.

Street Images

In fact that’s why I bought this lens, because of its ability to create pleasing bokeh while maintaining sharp focus on something else. Only in this case nothing is sharp. I could say I did this on purpose but you know I didn’t. I like the effect but in this case it was not enough focus dot com.

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Amsterdam in the Early Morning Hours

Here’s another image I took while walking around central Amsterdam in the early morning hours. I was only here for a week so I made the decision to stay on North American time. That meant I was still wide awake very late which works well for night photography. I could capture the lights reflecting on the still waters of the canals to my heart’s content.

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Amsterdam in the Early Morning Hours
Amsterdam in the early morning hours along the canals

A couple of times I left my tripod back at the hotel. To get these long exposures without shaking the camera I would make due by balancing it on a bike seat. All of the little bridges have bikes leaning against the railings. All I had to do was pick one with a relatively wide seat and gingerly set the camera down. I used a wireless trigger so that I didn’t need to touch the camera to activate the shutter.

That little system worked quite well and to be honest, it’s a technique I’ve used in many other places as well. I don’t always want to bring a tripod especially when shooting street scenes at night. For that I’m grateful for the high ISO performance of Sony cameras, it allows me to do things that were unheard of just a few years ago. For street photography you want to travel light and be able to react quickly.

Yet when I’m out walking around I’ll invariably see something like this scene and I wish I had a tripod. Then it becomes a little game of figuring out what I can use to stabilize the camera. I use all manner of things like balancing on a fence railing, stabilizing the lens with the camera strap, even placing the camera on the ground and shooting up.

night photography gallery

As a result I’m hard on camera bodies. They get scratched quite a bit. But for me the scratches on my camera body are like notches on a belt. It’s funny but a scratched up camera feels to me like a comfortable set of well worn shows; we’ve seen a lot together.

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Hotel Europe in Vancouver’s Gastown

This is Hotel Europe in Vancouver’s Gastown. Gastown is a once-rundown-but-now-trendy section of the city. The last time I was in this area I walked around in the evening.

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Hotel Europe in Vancouver's Gastown
Hotel Europe in Vancouver’s Gastown

There is no end of things to see especially if you like photography. In fact, several years ago I was here with my wife when she booked a photowalk with Susanne at Vancouver Photowalks. I highly recommend it if you’re so inclined. She knows the city and you’re guaranteed to come home with some epic shots.

This is a heritage building built in 1909. There are a lot of restored buildings that give the area its character. The streets are made of bricks and there is an ancient clock operated by steam. You could eat in a different restaurant every night and do an epicurean tour of the world. Each time I come back this section of town just keeps getting better.

Normally I take a tripod with me at night but this time I was just out for a stroll, not really intending to take a lot of pictures. I ended up wishing for a tripod, but made due with a high ISO instead. This was taken handheld using ISO 5000. Even though I’ve had this Sony camera for a couple of years I’m still amazed at what it can do. Maybe one day tripods will become obsolete as well.

vancouver gallery

Anyway, if you’re in Vancouver and you want to see something a little different go to Gastown. Even better, arrange to go with Susanne from Vancouver Photowalks.

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Cityscape Panorama Across Sarasota Bay

This is a cityscape panorama across Sarasota Bay. To create this I took three vertical images using a 55 mm lens and then stitched them together in Autopano Giga. The reason I did that rather than use a wide angle lens is it creates a realistic view of the scene whereas wide angle lenses tend to distort the sky. Each method has its use.

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Cityscape Panorama Across Sarasota Bay
This is a cityscape panorama across Sarasota Bay.

My guess is that these sailboats are in a mooring field. There is another mooring field on the other side of that bridge just out of sight. That one is busy but this one seems to be long term as I’ve seen the same sailboats sit here for years.

The day was a little hazy but the clouds added an extra dimension to the sky. These types of scenes, urban panoramas across the water, represent a technique I find appealing. Sky and water frame a cityscape and create a different perspective. It’s a little like looking down from an airplane only in this case we’re looking across. I have a coffee table book I’m working on called Sea and Sky; it has a few images like this.

Another thing I like about these stitched-together panoramas is that the image is very high resolution. That’s good for two reasons; it allows the viewer to zoom in and explore the details and, it can be used to create large prints. This resolution of this image can produce a print that is six feet across without losing detail. That makes it suited for large spaces like offices or hallways.

more panoramas

In a few years camera sensors will capture more detail than they do today. Actually these already exist but are specialized for surveillance and mapping. However soon even landscape photographers like myself will have them. And when that happens we’ll be able to pass the time just exploring the details of a scene like this on someone’s large wall.

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All Roads Lead to Sarasota

When it comes to taking photos, this is my favorite section of Sarasota. On the left is the fishing pier, which I’m standing on and on the right is the Ringling Bridge that leads to the center of town. I take so many pictures from here that I’m at risk of running out of views. Not this time because it’s a perspective I haven’t yet captured. It reminds me of the saying about Rome, only in this case all roads lead to Sarasota. That could be a metaphor for something else.

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All Roads Lead to Sarasota
All Roads Lead to Sarasota

It’s silly but I have an ongoing fear that I’ll run out of things to take pictures of. Nothing could be further from reality because the possibilities are infinite. Yet each time I go out I feel that fear. Maybe it’s just part of the process, a propellant for creativity. I compartmentalize it so it doesn’t take control of me but it’s always there. I can acknowledge it without letting it change my agenda. It’s a reminder that art and creativity are tangible and as such there is resistance to succeeding.

I think about these things a lot. That’s because I take the time to write about my images. That in turn causes me to explore my thoughts, motivations and ideas around images. Any time you do that it invariably leads to these questions; what is art, where does it come from, where does it lead? And in the end the answer is always the same, all roads lead to self discovery.

Sarasota Images

So perhaps the new perspective that I found for this area can be an allegory for self awareness. That’s my two cents on the matter.

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Reflections on the Water

Every now and then if there is no wind and the tide isn’t moving, water in the river becomes smooth. When it happens it creates the conditions for night photography with reflections on the water.

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Reflections on the Water
Reflections on the Water

This is an area where I walk my dog near the Manatee River. However I rarely see it like this. So while walking Mr. Wiggles I noticed and decided to come back. Later that night I packed my camera and drove back to this spot in a residential neighborhood. It was a little strange because I probably looked suspicious there late at night. After a few minutes I decided it was enough and decided to leave before someone called the police. Not that I was doing anything wrong, I’m just saying I had that feeling.

I will tell you that getting good photos is damn inconvenient. There is effort involved and it’s not always rainbows and unicorns. So I try to get as many compositions as possible when I’m out. If I’ve already expended the effort I may as well make the most of it. At least I’ll then have more images to choose from. Often my favorite is not the one I planned on; more often than not actually.

night photos

Despite the bother of it all I wouldn’t trade it for anything. For the little bit of energy I expend I get a lot in return. In my world, images are art and the more I’m doing that the better life is. But nothing in life is free, even if it doesn’t cost money it takes effort. However I get way more out of it than I put in, and that makes it worth all the effort and complaining of my alter ego.

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Light, Reflection and Color

This is a long exposure I took while walking under a bridge in Central Amsterdam. The hanging vertical lights and their reflections created an eerie effect. It’s a public space that’s transformed into a surreal display of light, reflection and color by night. Just one of many surprises I found while walking around the city of Amsterdam.

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Light, Reflection and Color
Light, Reflection and Color under a bridge in Amsterdam

I spent a lot of time along the canals at night. It seemed perfectly safe, save for the odd solicitations in a certain quarter not to be mentioned; but that’s another story for another day. No matter where I turned there were lights reflected on the water. If you’ve followed me you know that’s too much for me to resists; the lights that is.

I stood at this spot for a while taking pictures. Every now and then this space was filled with the rumble of trains passing overhead. I passed this same spot in a canal boat tour earlier in the day and it didn’t look anything like this. I would never have guessed it could be transformed like this at night.

European gallery

The reason I came to Amsterdam is that I had some photos being shown in a Museum in Harderwijk at an event sponsored by BTP and Rinus Bakker. My plan is to come back for the next showing and spend a little more time exploring places like this. Until then I’ll have to be content with my memories and photos.