Bucket List

Every now and then I like going back to look at my images from New Zealand. I was there a little over three years ago but it now seems like an eternity. But having those images brings back some of that magic. I find myself using the word “magic” a lot when describing the southern island of New Zealand. There is something about it that evokes a sense of wonder. You should put it on your bucket list, especially if you like natural beauty.

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Bucket List
Bucket List item from the Southern Alps of New Zealand

This is one of the many helicopter landings I made on the last day. I spent the morning shooting images of the Southern Alps and then flew home that afternoon.

I’m standing next to the oddly named Lake Unknown, which is on the southern slopes of Poseidon Peak. The mist on the left is from a light rain shower on the far side of the lake. In these mountains there are microclimates that vary from blizzards to light rain to sunshine. As we approached from the north we could see a rainbow through the shower, it was surreal; that’s another word I use to describe New Zealand.

New Zealand gallery

The last time I was in the mountains was on a cruise to Alaska. I think there are two types of people, mountain people and ocean people. In Alaska you can be both at the same time if you live by the coast. Even though I live by the ocean in Florida I think of myself as a mountain person. I enjoy both but I need to see the mountains once in a while to keep sane. While I was in New Zealand I got a large dosage of rugged mountains took thousands of photos. Now, if I go too long without seeing the mountains I can look at the photos and remember what it was like. And then I start to wonder if I might redo one item on my bucket list. That’s allowed isn’t it?

Palace of Fine Arts

On a recent trip to San Francisco I got up early one morning and came here to the Palace of Fine Arts. As it was a Sunday I had the whole place to myself. That by itself is an experience to say nothing of the photographic possibilities. I imagined myself in an ancient Rome as though a ghost out of time.

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Palace of Fine Arts
Palace of Fine Arts in San Francisco

In this image I placed the camera near the floor and aimed up with a Laowa 12mm f/2.8 Zero-D lens. It’s a special lens because it keeps the horizon flat without distortion, which is where the Zero-D comes from. Perhaps this is what the cat sees as he prowls the palace grounds each night.

As I look at this it reminds me that I’ll be heading back to Europe soon. I never know what I’ll see but I suppose that’s true wherever I go. When I go out to take pictures I have an expectation in my mind. That’s good for certain types of photography but on others it just gets in the way. When travelling the trick is to see what’s in front of me; I might miss something if I’m preoccupied with something in my head.

That’s not to say I don’t have a lot of ideas of images floating around. But it takes presence of mind to pick out details or compositions in a new place. Otherwise it’s better to work in a studio where we can shape an image to match our idea.

I normally take two or three lenses with me when touring. Like in this case I had the wide angle in the bag and so I pulled it out. I might experiment with taking just one lens on an excursion. Back in the day of film many cameras had a 35mm focal length. There’s a degree of liberation that comes with that because you stop thinking about the lens choice and just work with what you have.

more black and white

If I had to choose just one lens I’d start with the 35mm; that’s a good field of view to work with. But I also like the 50mm and the 85mm. Just thinking about the choice makes me anxious. Isn’t that the craziest thing you ever heard?

Bradenton Beach Pier from the Bridge

This is a view of the Bradenton Beach Pier from the bridge. I’m facing west so the pier is on the inter-coastal waterway. The Gulf of Mexico is just behind the row of buildings. To get the whole bridge in the frame I walked on to the bridge between the mainland and Anna Maria Island. Other than that I’d need to be on a boat since there’s no other place to get the full view of it.

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Bradenton Beach Pier from the Bridge
Bradenton Beach Pier from the Bridge

I took this early in the evening as people were coming home from the beach. Basically I was standing on the sidewalk next to a traffic jam. That’s because there are only two bridges leaving the island and all those thousands of people have to go home. Right after sunset it can time to drive home, good thing there is nice scenery along the way.

With all the cars crossing it causes the bridge to vibrate. That creates a challenge when taking long exposures like this. For instance, if I have a ten-second exposure and a car goes by in the first five seconds, the image will come out fuzzy. However my Sony A7rII camera has image stabilization so it was able to take a sharp image even with the vibration.

more of bradenton beach from the gallery

If you follow the pier back to shore, it leads to Old Bridge Street. That’s an area with outdoor establishments and live music at every corner. People are out walking around, listening to music and just seeing the sights. There are a lot of choices from ice cream to lobster, from smoothie to martini.

My favorite thing about Bradenton Beach is the small town atmosphere, something not so easy to come by these days. But now you know where you can find it.

Departure from Normal

Manipulating scenes like this is a departure from normal, it’s not real so our minds are free to play a little; we each read into it something different.

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Departure from Normal
This scene is a departure from normal, a thought experiment

When in Vancouver I will often pass through this station. I can never get enough photos in and around trains. Among other things they are studies in leading lines.
I sat at the end so I could look back as we pulled away.

I’ve created a mirror effect, which for me is a metaphor for a choice between two paths, one direction or the other. When we are children we have so much in common; as we mature we diverge in different ways depending on a million things.

We choose one path or another every single day, and often we spend time wondering if we made the right choice. Sometimes we make difficult choices and then wonder about them later. Life is setup in a way that forces us to make decisions; we have no choice but to make choices. Not choosing is still a choice. Maybe the lesson is not so much the decision but how we deal with it after the fact.

more abstract images from the gallery

This image brings all that to mind, probably because I spend more time than I should thinking about decisions I’ve made. This is my metaphor for rushing through life’s stations, making choices, looking back yet trying not to look back.

Cruise Ships Are Like Spaceships

On the last day of our three-day trip I got up before dawn to walk around the top deck of the ship. This walkway seemed like a portal on a space ship. I think cruise ships are like spaceships, at least like the big ones in the movies. In my mind a proper space ship has facilities to take tourist to different planets. Then at each location they probably dock on he dark side of the moon and take little excursions to the planet. You never know, truth can be stranger than fiction.

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Cruise Ships Are Like Spaceships
Cruise Ships Are Like Spaceships – Taken before dawn on Royal Caribbean’s Enchantment of the Seas

Anyway, taking pictures of a cruise ship seems to work out better in the early morning. During the day and late into the night the decks are always crowded. But because everyone is up partying so late it’s a guarantee there are few if any people up early. That’s when you can get all those architectural details they build on to the ships; like these colorful arches for example.

Also, in the morning the crew is usually washing the decks and the sheen of wet surfaces enhances the light with reflections. Having said all that, I suppose the real trick is waking up early. Since this was the last day and we were scheduled to get off early I had to get up; I might not be so eager otherwise. About a half hour after this we pulled into the Port of Miami and I saw more cool things I wouldn’t normally see during the day.

more architecture from the gallery

Maybe one day I’ll get up early and we’ll be pulling into the dark side of the moon, and then I’ll know I was up partying way too hard.

Vancouver Terminal

This image is based on the Vancouver terminal, or YVR as its also known. Each time I travel here I am intrigued by the construction. The architects created an exoskeleton with which they hung the functional necessities of the terminal. The form and function are indistinguishable from one another. I’ve noticed this elsewhere and it represents an evolution in how we build.

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Vancouver Terminal
Vancouver Terminal in British Columbia Canada

In the software industry we employ patterns to do basic tasks. Patterns are the analogs of load-bearing structures used in construction. Software has always drawn parallels from construction, and soon I believe it will occur the other direction.

We are evolving into beings that live as much in software as brick and mortar. The trend is accelerating and the boundaries between virtual and physical are becoming more tenuous each day.

The Matrix struck a chord because it explored merging of physical and software realities. I believe we are on some of the same trajectories proposed in the movie. In another generation virtual reality will be as commonplace as a cell phones are now.

More abstract images

When I see physical structures I think of their corollaries in software. Likewise when I build software I borrow construction techniques and terminology. Now opposite is beginning to occur with construction rendering which is an offshoot of 3D printing. We have begun to build physical structures with software as seen on this YouTube. We are now on the verge of yet another revolution in combining software and construction. The merging between software, virtual reality and construction and manufacturing are all but disappearing before our eyes.

Waterfall from British Columbia

I was flipping through some old photos and I found this waterfall from British Columbia. What caught my attention was that it was taken exactly three years ago today. This is just below the massive Shannon Falls north of Vancouver. When I took this it was in full flow from the spring runoff, so I imagine it would be the same now.

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Waterfall from British Columbia
Waterfall from British Columbia just north of Vancouver

I took this with the Sony A7R, which was still fairly new at the time. I had had it for only a couple of months and was still learning its ins-and-outs. Looking at this now makes me want to take a trip back to the Pacific Northwest and go waterfall hunting. For a landscape photographer waterfalls are big game.

A lot has transpired in the last three years. In that time I’ve taken close to a hundred thousand images. They’re not all winners mind you, in fact only a very small percentage of them are what I’d consider “good”. In one sense photography is a numbers game. The more you do the better your odds. Eventually you get some good ones.

Canadian gallery

When I get asked how I got to where I am the answer is simply that I take a lot of photos; some turn out good. That’s not to diminish the effort, but it’s more repetition than anything. If you get out and take pictures, magic eventually happens. If you want to take good photos, take a lot of photos. Eventually you’ll get some real winners.

The New Lens

I took this with the new lens that I purchased from Sony. It’s a 85mm and I shot it wide open at f1.8. I’ve been missing this focal length since switching from Nikon several years ago. I could have purchased one earlier but for one reason or another never got around to it. I’m glad I waited because from what I can tell this new version performs identical to lenses three times it’s price. The first time I used it was on a trip to the Bahamas. As we were walking through the shops and alleyways I took a few shots to see what it could do.

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The New Lens
The New Lens – taken with the Sony FE 85mm 1.8

Yesterday I wrote about how street photograph allows us to study a scene later. As for myself, I miss a lot of little details when I’m in the scene. I think we all do that, its natural. If three people walk into a place, each will see something different, like the three blind men and an elephant story. Maybe it’s wired into our DNA that we scan for predators which prevents us from seeing everything clearly.

This is where photography can play a role. It gives us a second chance to go back and see what was really going on. When I compare a photo to what I thought was going on it’s usually different to one degree or another.

Each type of lens allows us to record the same scene from a different perspective. Stand in one spot and aim the camera using a telephoto lens. Then aim it at the same spot with a wide-angle lens. Each capture will create a very different image.

more travel photography

Since each focal length creates a different perspective, choosing one allow us to go back later and see what we missed from that perspective. And of course there are infinite possibilities.

I think I’ve analyzed the hell out of that for now, but hey, that’s just how my brain works sometimes. Maybe I could just sum up the whole subject by saying that I’m digging the world at 85mm.

Miami in Silhouette

The cabin of our weekend voyage was at the back of the ship, or “aft” as it’s called in boat-lingo. After we left port we sat in the back and watched the trailing wake and rolling ocean. The best part of that was noticing this view of Miami in silhouette, which for me was unexpected. The clouds were heavy and the sun cut through casting rays upon the ocean. This is a scene I don’t see every day.

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Miami in Silhouette
Miami in silhouette from the back of a cruise ship

We were about five or ten miles out to sea when I noticed this so I used a telephoto lens. I took several shots but this is the least crooked of the set. The winds were high and you could really feel the rocking, especially in the aft section. It didn’t bother me but I had to time the shot so the horizon would be flat.

These condos are up and down the coast of Florida; some places more than others. I have a friend who lives in one near Clearwater and the view is spectacular. On the gulf side you have the view of sunsets every night. On the Miami side it’s sunrises.

gallery favorites

For someone like me that loves to shoot scenes of the water I have plenty of opportunities in Florida. But after taking this cruise I think I need to get out on a boat a little more often. Now I just need to find a friend who has one.

Miami Sunrise Panorama

I was a little lucky to capture this Miami sunrise panorama. We had just docked at the port of Miami after a weekend in the Bahamas. Because we docked at the last terminal it afforded this unique perspective of the city to the west and South Beach to the east. South Beach faces the Atlantic and so the sun is rising over the ocean.

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Miami Sunrise Panorama
Miami Sunrise Panorama taken from the Port of Miami

Regarding that, I was looking at this picture and wondering to myself why the sun was rising over the ocean? In all my photos from the west coast of Florida the sun sets on the ocean. I realized of course that this is the east coast and, I live on the west coast facing the other direction. Sometimes I get disoriented when traveling.

I grew up in the California Valley and I could always orient myself with the Sierra Nevada Mountains; they lie to the east. Out of habit, when traveling I try to orient to some elevated landmark. But Florida is flat so I rely on the sun for bearings. Naturally it seemed to me the sun was rising in the wrong place. At least that’s my excuse for now.

more panoramas

Because this is made up of multiple shots stitched together the resolution is very high. This prints out at about six feet by two feet at full resolution. That allows for details not possible with a single frame. It’s little like standing in the deck of the ship with binoculars and looking out, only in this case I used a high-resolution camera and a lucky perspective.