Cruise Ship Leaving the Port of Venice

This was taken from a water taxi as we passed a cruise ship leaving the port of Venice. I’ve been on several cruises and the port of Venice is the most scenic I’ve seen. This was not the ship I was on but if you look close you’ll see all the passengers lined up along the rail. They’re looking out at the city of Venice.

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Cruise Ship Leaving the Port of Venice
Cruise Ship Leaving the Port of Venice

I was on an even larger ship that left a few hours later and the scene must have looked similar. There were so many people standing on one side that the hull tilted towards the city. It was the most amazing feeling; the ships are so large it never occurred to me that the weight of the passengers could make it tilt.

The procedure for docking a cruise ship in Venice involves being towed by two or more tugboats. The tugs are massive machines. There is one that pulls from the bow and one or more that guide the stern. Because they move so slow you have a perfect vantage of the city. I stood on the thirteenth deck and looked down upon the rooftops. It was one of the highlights of the cruise.

more images of boats

In any case, this was just a random shot with an interesting perspective. It’s one thing to stand on the top deck and look out, and quite another to see it pass by from the water level.

Sailboats in La Grande-Motte

I was La Grande-Motte a couple of years ago walking around with my camera. A friend who was running some errands dropped me off for the morning. It’s a seaside resort town on the Mediterranean and in that respect has a lot of similarities to where I live in Florida. I was here in the off-season so it did not have the normal crowds.

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Sailboats in La Grande-Motte
Sailboats in La Grande-Motte

I could be wrong but it seems like there are more sailboats in Europe than in the states. I’m no expert but I think we have more powerboats in the US. Nevertheless these long rows of docks are common in southern France.

more images from France

The symmetrical leading lines of the rows reflecting on the water fascinate me. For that matter, leading lines and water always grab my attention. It’s something I’ve taken photos of over and over again. There is a good explanation for it, I’m sure.

Signs at Sea

When sailing you find yourself looking for signs at sea. Any kind of sign will do; weather signs, signs of land and signs of life. Open water doesn’t have the familiar frames of reference, so unconsciously our minds are pre-occupied with building one.

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Signs at Sea
Signs at Sea – when at sea we look for signs of life

This is not news to anyone who sails. The frame of reference for a sailor is different. Sailors know how to read signs and surely there are many more signs that we’re not even aware of.

This was taken as I sailed on a cruise ship towards Venice. To the combination of clouds, water and land on the horizon I added birds from another image. They were not in the original but for me they completed the scene.

more seascape images

The idea here is that these are all signs at sea. Chances are you’re much better than me at reading them.

Bridge of Sighs

This is the Bridge of Sighs as it frames a crowd of people beyond. In this case I am focused on the crowds rather than attempting to obscure them. It’s a different perspective but something I’ve been exploring lately. Lets just say it’s a slightly different take on travel photography.

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Bridge of Sighs
Bridge of Sighs in Venice

My idea is to have crowds of people juxtaposed to architecture or in iconic settings. If it’s done right there’s something that makes us want to look closer. Normally crowds are not that interesting but therein lies the challenge.

Also I write about it because it helps me make sense of new ideas like this. The more I integrate it the more I can repeat this idea in different settings; it’s a form of study.

more bridge images

Writing is an integral part of photography for me. I take a photo, work on it and then write about it. In the end I have a something more than just a photo. All the while I’m learning something new and having a little fun. And as they say, it’s all good.

Another Vision of Venice

Here is another vision of Venice that I took from a boat. A vision is what best describes this place; it seems not entirely real. When you’re in Venice the real world seems to fade away and become distant. Venice holds its own kind of reality, like the fabled Brigadoon. And then the opposite happens, you leave and the magic dissipates and you feel that Venice was like a vision.

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Another Vision of Venice
Another vision of Venice at night from a boat

Anyway, like some other photos I’ve produced, this was taken hand held at night from a boat. I’d normally use a tripod to get a better exposure with a lower ISO, but using a high ISO my camera’s sensor is able to recover most of the details of the night scene.

Do you ever notice that when you go to an amazing place you feel like you want to live there? Or maybe you feel like you’ve been there before. The excitement of seeing new places and the feelings it produces are why we travel in the first place.

more night photography

This is travel photography with a twist. It’s from a place that doesn’t seem real until you go there. It seems to have a reality slightly removed from the real world. Maybe I should call it vision photography, …or maybe not.

Corniglia

I took this photo of Corniglia from a small boat travelling along the Cinque Terre coast. It was a very hot day so sitting in a boat was a good option. We passed several little villages just like this and I was thinking it would be hard to imagine a more picturesque setting. The villages look remote and isolated but in fact are connected by trains, roads and a hiking path.

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Corniglia
Corniglia in Cinque Terre Italy

In one sense it was a shame I only had a day here, but now I know where to come back for a proper visit.

more landscape images

When you look closely at these towns on the rugged slopes you realize they’ve taken centuries to build; the locations are most improbable. I believe they were originally properties of barons and such and the inaccessibility was a deterrent to pirates. Now they are communities with traditions, culture and hundreds of years of history. And based on the way they are built, I think they’ll be around for many more centuries.

Streets of Calata Doria

I snapped this while walking through the streets of Calata Doria in Liguria Italy. Try as he could, this gentleman couldn’t remember what he had for dinner last night. I offered a suggestion but he said they didn’t have a Taco Bell nearby. This is my version fake news.

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Streets of Calata Doria

For some reason this man looks distressed but in reality I don’t recall that being the case, he was just taking a load off his feet and I happen to catch him with his hands just so. We all make expressions throughout the day that if taken out of context can send the wrong impression.

I feel a little like paparazzi when I take street photos of people. I prefer to have people look natural, but if they see me aiming they’ll react. The idea is to capture people unaware; it’s a more interesting study of human behavior.

The trick is to be as unobtrusive as possible. One technique is to line up a scene and wait for someone to walk through it. But if I’m too obvious folks stop and wait for me to finish, it gets a little awkward.

more from europe

I suppose if I were real a member of the paparazzi I’d know how to do these things real well and not feel awkward. Then I maybe could get on board with the whole fake news thing, …or not.

As Luck Would Have It

As luck would have it I ended up in New York on the hottest three days of summer. It was stifling during the day and muggy late into the evening. When it started to rain I headed down to Times Square to take some photos. Despite the crazy weather some people still showed up to see the sights. It was an amazing experience to be there in those conditions because there was so much to photograph.

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As Luck Would Have It
As Luck Would Have It – In New York City

I have an idea in my mind to capture people in crowded places. It seems I’m always traveling to places that are heavily populated. So rather than try to pretend people are not there I look for ways to make the crowds part of the composition.

I enjoy this idea because it allows me to examine things in a different light. The images are studies of crowds and crowded places. A natural inclination for landscape photography is to not include people but with urban exploration it has a different set of rules.

more new york photos

Maybe I see aspects of myself in the faces of crowds. Regardless, it’s why I call these types of images studies, because from them, I have something to learn.

That Evening in Venice

Because I did not set the shutter speed correctly this image came out looking double exposed and blurry, like an impressionistic painting. This is not something I intended but looking at it now it feels a little like my memory of that evening in Venice.

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That Evening in Venice
My impression of that evening in Venice

In my short visit I experienced sights, sounds and feelings. The more I go back to look at the photos the more my memories are formed. But it’s totally subjective and what I remember is unique to me alone.

There is much in life I don’t remember because I never took the time to. If we don’t think about something it may not make an impression and is soon forgotten. However when we do, we build memories from our impressions.

Memories are like paintings, they are renderings, not true recordings. In the case of art, impressions are more important than fact.

gallery of daily images

The sounds of the oars in the water, the chatter of the gondoliers, the lights of the overhead windows and the evening shadows across the buildings; all of these combine into an impression that is so perfectly preserved with a simple camera mistake.

Architecture and Frescos

I’m embarrassed to say I have no idea where in Rome this is, nor the name of it. I ran in here to escape the rain and was astonished by the architecture and frescos, not to mention the silence as compared to the busy street just outside.

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Architecture and Frescos
Architecture and Frescos from a church in Rome

A vertorama is like a panorama, only vertical. I took three images, the first at eye level and the third straight up. When they are stitched together they create a perspective that shows more than you normally see at a glance. It’s a little disorienting but fun to look at just the same.

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There were no signs warning against photography so I felt free to take my time and compose the image. Some churches will charge a small photo fee that I’m more than happy to pay. These churches are studies in architecture and art, it seems to me the more they are shared the better. I’d like to think I’m doing my small part to share this amazing cathedral with the rest of the world, completely free of charge.