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Hometown Mangroves

This section of mangrove is within walking distance of my home in Palmetto. I think it’s interesting how the roots appear chaotic, yet the structures create a fortification against the erosion of the land.

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Hometown Mangroves
A section of the mangroves in my hometown of Palmetto, Florida

Half of Florida would be washed away if not for mangroves; they are an excellent example of how life evolves to overcome. It also seems like an example of order versus entropy, the seemingly disorganized root structure is well suited to ensure it, and the land survives in place.

other images of mangroves from the gallery

What you see here is an HDR image composed of five exposures. The mangrove roots were dark, so I blended an overexposed frame for that. The sky was bright in comparison, so I combined an underexposed frame for that. In the end, my seemingly haphazard approach to composition resulted in something slightly more enduring. It is my very own example of order from chaos. Perhaps that is what I should call mangrove photography. Or not.

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Lens Flare

The other day I went to Bean Point on Anna Maria Island to capture this image. I didn’t notice it at the time, but there is quite a lot of lens flare. Nerd that I am, it got me wondering about the optics that produced it. Might another lens to create a different effect?

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Lens Flare
A typical sunset from Bean Point on Anna Maria Island

Nevertheless, the photo was taken at f18 at its normal to get a starburst at that aperture; that’s how we get the star effects on street lights at night. However, this looks like a combination of starburst and lens flare, and that’s what made it a little unique, at least for me.

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The main reason I used such a small aperture was to get an extended depth of field; meaning I wanted everything to be in focus, from the plants up close to the clouds. Using a high f-stop number is a way to get that, however, because it restricts the amount of light coming in, you may need a tripod lest your images come out blurry from camera shake. In this case, the effect is like a splash of light; which goes to prove that happy mistakes happen all the time.

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Making Up Stories

This image is an example of the kinds of things you’ll see just by showing up to a location and observing. It’s not staged, yet it has receding elements: a girl, a bird, and a sailboat, not to mention the evening sun. The objects are receding, and from a compositional perspective, that’s pretty cool. Let me explain.

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Making Up Stories

There were other objects and people around, but I positioned the frame to simplify the image. Unconsciously our eyes are drawn from the close-up objects to those far away, and in that split-second traverse, each observer (you) creates a story. I refer to “story” a lot in my images, but what I mean is the musings of an observer (you). When you muse, you automatically make up a story. That makes me the story-teller, and now I’ve connected with you. It’s pretty simple really, and it’s the idea behind stories in photographs.

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We can create stories in different ways; for me, it often involves simplifying a scene and engaging the viewer. But each person is different, and we could take a complicated scenario and do the same thing, there are no rules. My photos at the beach are simple, but I also like busy city streets with a lot of things to explore. (In fact, I’ll post one like that next week.) But I digress. When taking photos, you want to tell a story. No matter where you are, you can compose the shot in such a way that when I see it, I make up my own story.

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Beach Bums

If I had a nickel for every one of these shots on the beach at sunset, I’d be, well, …sitting by the beach at sunset. But that’s what people do here, so I take pictures of it. When in Rome (or Florida as the case may be), you do as the Romans do.

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Beach Bums
A typical scene from Manatee Beach in Florida

Switching topics for a moment, I have a lot of lenses for my cameras. Some are expensive lenses designed to operate under demanding conditions. While I use them in specific settings, I use an older cheaper lens for my landscape photos. I guess my point is, for my favorite type of photography, I’m happiest when using the inexpensive equipment.

The reason I mention that is to say that photography should not be about the equipment. Any fool can buy a camera and take a picture; “yours truly” is a case in point. But framing an image that creates a story, that takes imagination. That can be done with any camera including the one on your phone. Everything has its use, but I think that when you are creating images, the best piece of equipment is between your ears.

beaches from the gallery

So there you have it, a little bit of photography advice from someone who’d rather be a beach bum. If you take that, and a handful of nickles you can buy a nice cup of coffee.

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Down by the River

After a rainy day last week the wind died down in the evening. When that happens, the water in the river becomes smooth like glass, which is the perfect time to take pictures. I made this near my home in Palmetto, just off the road next to the bridge.

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Down by the River
A section of the Manatee River from the Palmetto side of the bridge

This scene is an HDR image made of four frames with different exposures. By combining frames, the greenery and sun appear without either appearing blown-out. I use Aurora HDR from Skylum to process my HDR compositions. After mixing the frames, I usually make three or four additional adjustments to get it just the way I want it. I may also process it in Luminar which is another tool from Skylum.

more from Palmetto in the gallery

This area is a little section by the river that few people notice. It’s next to a major road that thousands drive by each day. As for me, I believe a photographer should work close to home as a way to practice seeing the familiar with new eyes. Seeing something new in the usual, or looking at it from a different perspective is a useful skill at home and abroad. So if you happen to be driving to work and see me standing by the river, now you’ll know why.

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Uncovering Gems

This image is another from the series I took while visiting Neal Preserve in Bradenton. The dry season is over, and thundershowers are now a regular occurrence until the end of summer. Water fills the ponds which in turn creates photo opportunities like this. Only a few weeks back this might have been bone dry.

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Uncovering Gems
A pond at Neal Preserve in Bradenton after the afternoon rain

The image is an HDR; it’s a combination of five shots of different exposures. Because I was shooting directly at the sun, I took exposures from -4 to 0. The software that I use, Aurora HDR, is smart enough to pick out the best from each frame to combine into one. Then I use the sliders and masking techniques to adjust the saturation, shadows, and highlights. After a while, it started to have a look and feel I was trying to uncover.

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Processing a photo is like polishing a stone, you work at it until it shines. That’s a simple analogy but aptly reflects the process. So often I’ll look at the raw photo that I have sitting in my library and think to myself it has little or no potential. But then, perhaps out of curiosity, I begin working on it and sometimes, I get a real gem. Not always, but enough times to keep me coming back for more.

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The Path at Neil Preserve

Niel Preserve in Bradenton borders the intercoastal waterway. The boardwalks allow you to walk through and above the thick brush and mangroves. From a photography perspective, the perfect time to come is just after the rain and right before sunset. That way the clouds accent the natural elements and help set the mood.

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The Path at Neil Preserve
One of many boardwalk pathways at Neil Preserve in Bradenton Florida

However there is one minor problem, the mosquitoes are thick as thieves. And they also love this particular time of day, perhaps as much as I do. They are quite active after the rain; so when I arrive, I typically spray myself down with a generous portion of repellant. That way the photographer and bugs keep a respectful distance and everybody gets along.

more landscapes from the gallery

The path in this image is a classic leading line. With our eyes and imaginations, we follow the trail and perhaps feel it leads to a safe place. That is the central principle behind this image, and it should be convincing as long as you don’t think about the bugs.

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Sliver of Solitude

I’m standing on the western tip of a peninsula called Emerson Point. It’s where I come to get away from it all, a little sliver of solitude.

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Sliver of Solitude
At the end of Emerson Point in Palmetto Florida

That’s not me standing by the water, so apparently, it’s not complete solitude. There were about a dozen people here, and typically I’m not the only one with a camera. But having people around ensures I can place one in the frame to tell a story. In this case, the story is about a solitary figure watching the sunset.

more solitude in the gallery

Usually, when I frame a person in a shot like this, I try to ensure they are nondescript. In the movie industry, it’s known as atmosphere. I used to work in the back office of a movie studio, and an atmosphere person was paid twenty-five dollars a day. That’s not bad for just standing around; but in this case, I didn’t spend a cent.

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Mystery Barge

The other day I stopped my car to capture the sun sinking across the intercoastal. The tides were low and the clouds high.

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Mystery Barge
A barge at sunset along the intercoastal in Bradenton Florida

As I set up with my tripod, a gentleman approached asking if I knew anything about the barge; he thought that since I was taking pictures of it, I must know. But it was the first time I’d seen it. For me, it was nothing more than a foreground element that added interest to the scene.

more sunsets from the gallery

According to him, the barge is a bit of a mystery, and he had just attended a homeowners meeting where it was a topic of discussion. Presumably, it’s violating some bi-law or perhaps cluttering the view. It seems the barge is a bit of a mystery and I was not helping at all. I expect the next time I drive by it will be gone. Nevertheless, I have at least produced photographic evidence to be used at the next meeting.

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Seagrapes at Sunset

In my mind, seagrapes are photogenic because of their shape, contrasting colors and the way the leaf surface reflects light. They make a fascinating subject for photography.

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Seagrapes at Sunset

If I get excited about little things to look at, you’ll forgive me; it’s what I do. When I find a new image like this of something simple, I’m pretty happy. All things considered, it’s a reasonably simple pleasure.

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I’m fortunate to have a passion that, at its core, is based on noticing the scenery. For brief moments, it takes me away from all those other things that seem more important. The way I figure it, if you can enjoy the pure pleasure of the sight of seagrapes at sunset, it’s not such a bad thing.