Why do we call it a bank of elevators? My guess is that at one time, only banks had lifts. Rest assured, this is no bank.
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Elevators on Oasis of the Seas
Royal Caribbean ships have elevator banks that are functional, stylish and serve as a showcase for hanging art. No two banks are the same which is not only refreshing but helpful. Helpful, in that, on some of the larger ships, it’s easy to get disoriented. Having distinct elevator banks helps with getting your bearings. I can’t tell you how many times I forgot whether I was at the front or back of the boat. Unless you’re up top or by a window, it’s almost irrelevant, but knowing which direction to walk for a meal is an acquired skill.
Also, each night the crew replaces a floor tile in each elevator with the name of the day. So not only do you know which part of the ship you’re on, you’re reminded the day of the week. Little orientation hist never hurt anyone. Anyway, if memory serves me, this was at the back of the Oasis of the Seas, or was it the front?
Over the holidays we jumped on a last-minute cruise of the Carribean. Living in Florida, these kinds of things are easy to do, just find a cheap ticket and drive to the port.
The ship was Royal Caribbean’s Oasis of the Seas, which is one of the worlds largest. We’ve sailed on a couple of her sister ships, so we already had a good feel for the layout.
I took a few photos that are of a more abstract nature than typical holiday snapshots. Here is a collection with descriptions of each.
West Palm Beach
Florida on the horizon at night
On our first evening at sea, we sailed down the east coast of Florida from Cape Canaveral. The lights on the left are from West Palm Beach if I’m not mistaken. The first day is always a good time to look out to sea and decompress from life on land.
The Trail
A trail from the stacks as we navigate south to the Caribbean
Here is another shot from the first night, looking to the back of the ship, as the smoke from the engine trails out. These first two shots are long exposures that were stabilized on the balcony railing.
Leaving Falmouth
A long exposure creates light trails as we leave port
We departed Falmouth, Jamacia in the evening after a very windy day. All day long I wondered how the captain would pull out in such conditions, but as the sun fell so did the wind, and we departed quite easily. I created this long exposure as the ship slowly moved past the dock. The jiggling of the light trails was from my unsteady hand as I held the camera (not necessarily from the Jamaican rum one may be obliged to try).
Hot Tub
The hot tub overhang on deck fifteen
There are large hot tubs on both sides of the upper deck that protrude out from the sides of the ship on deck fifteen. I didn’t manage to try them out for myself, but that didn’t stop me from taking an architectural shot from our balcony five floors below.
Over Dock
Watching people board
One lazy pastime when leaving a port is to sit on the balcony and watch others board the ship. In Labadee Haiti, there are musicians and dancers on the dock as well. Here I’m aiming directly down at the pier as a passenger walks to the gangway.
After Hours
Bar stools after the bar closed late at night
The perfect symmetry of the bar stools caught my eye as I wandered around the decks at night. This is one of the outdoor bars that had closed for the evening.
Port Side
A place and time to do very little
I snapped this as we left our last port of Cozumel. Another pastime for me is to sit on the balcony and read or listen to music. No agenda, no schedule, just free time to do anything or nothing at all.
I hope you don’t mind if I use a little AI in my sunset photos, I certainly don’t.
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A sunset from my hometown of Palmetto, Florida
I did a bit of processing on this to bring up the shadows and reduce the highlights, I do that quite a lot. One thing that’s a little new, however, is that I’ve started using artificial intelligence (AI) software. The AI is in Luminar 3 from Skylum. As AI gets better, it shortens the time it takes to get good results out of a photo. These days, AI is increasingly being built into everything, including your phone and camera. Computational photography is where we’re heading.
What AI does is interpret scenes for us and then make choices on how to improve it. It’s not always right, but it’s getting better. Sometimes it’s no help, but more often than not it gets a bunch of stuff right. I then fill in the gaps with the vision that I had in my head, but the AI helped get me off to a good start. It’s like having an apprentice do the prep work before you begin mixing the magic brew. I suppose that as long as the sorcerer’s apprentice doesn’t get too carried away, it should be all good.
This swamp is in Florida and is a good thing, meaning we don’t want to drain it; instead, we want to protect it as a national resource.
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An image from the Big Cypress National Preserve in Florida
The swamps, marshes, and bogs are quite beautiful. I did not expect I’d ever consider the swamp as beautiful before visiting, I was wary of what I might find. But once inside, I was struck by its vastness, rich biodiversity, and remoteness.
I am not a naturalist and know very little about the ecosystem of the Big Cypress National Preserve, but if you want to know more, one recommendation is to visiting Clyde Butcher’s site. Not only is he a passionate advocate for maintaining our natural habitats, but his photographic legacy is considered a national treasure.
Here’s a scene from Miami Beach’s Lummus Park at night. I took some daytime photos here, but night time was way more fun.
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At night in Miami’s Lummus Park
Sorry if I sound like grandpa talking, but it wasn’t that long ago when shots like this were next to impossible. I shot this handheld without a tripod. In fact, the original photo didn’t look like much. Nevertheless, I was able to recover most of the shadows thanks to software and the amazing sensor on the Sony A7RM3. The camera sensor saves things that are invisible to the naked eye. However, with post-processing, we can make much of it visible.
I would say that low-light techniques like this are what got me back into photography. Back in the day (grandpa again) I used to shoot film but lost interest due to the amount of time I spent in dark rooms. Today, the only time you need to spend in the dark is taking photos of cool scenes.
Here is a scene from along the bayou nearby. A lot of wildlife lives here, in fact, I could hear a boar thrashing around not far from me.
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The bayou in Palmetto, Florida
I’ve driven by here but never really noticed the vibrancy of the greenery. Maybe it was produced by the soft even light from the overcast sky. Whatever the reason, it was enough for me to pull over and captured it with my camera.
While I stood in front of the car taking this, a fellow walking his dog came along and asked what I was taking a picture of. He thought maybe I had seen a boar, but I told him I was just impressed by the scenery of the bayou. He seemed to ponder this for a minute and then, agreed that I was on to something. He then proceeded to tell me stories about the boars and the local trappers. I suppose that’s how you make small talk in the bayou.
These egrets will sit on trees to preen while keeping an eye on the fishermen and their catch.
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An egret perched on a tree in a Florida bayou
I took this at a bayou that is also a state preserve. Florida preserves give wildlife a safe place to thrive outside of the urban sprawl. Egrets are opportunists that adapt to just about anything. Often I’ll see them on the front lawn looking for lizards. It’s not uncommon to see them perched on the roof of a car.
However, just because they adapt doesn’t mean they’re not skittish. If you get too close, they’ll fly away, so I had to keep a comfortable distance to capture this photo. That meant using a 70-200mm lens with a 2x converter for a total of 400mm. It’s rare that I carry that combination, but I’m glad I did on this day.
Something about the light at dusk, it can make a boring apartment building look like a million bucks.
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Apartment buildings in the city of Palmetto, Florida
I drive by these buildings all the time and never take a second look, but look at them now. They’re kind of attractive, now that I see them. My Instagram tagline is, “through photography, I see.” I guess this is proof of that.
I used a one-second exposure for the water on the bottom half which evens out the ripples. Usually, I use photoshop to get a similar effect but in this case, its straight out of camera (or SOOC as we say in the biz). I took this from a dock while walking my dog recently. He likes to come out here and survey the scene and sometimes I’ll bring my camera. So it was, in fact, Mr. Wiggles who selected this scene. I should probably change my tagline to, “through my dog, I see.”
When I see a big city, I’m like a deer in the headlights. I look up and can’t stop staring.
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The big city of Miami
I’m fascinated by the perpendicular angles of construction, a million squares, layered and stacked in every direction. It’s a sensory rush that quickens my pulse and speeds up time; a big city high.
Maybe it’s of all the lights, or the mass of humanity, or the scale of it all. Whatever it is, I’m in not much use until I snap out of its initial spell. Perhaps there’s some part of our DNA that attracts us to a hive or colony or tribe. Or maybe, it just all the cool lights.
This is the back side of Bradenton Beach, the front side is, uh, a beach.
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The village of Bradenton Beach as seen from across the inter-coastal waterway.
The little beach town is surrounded by water because it sits on Anna Maria Island. The back side faces the intercoastal waterway and is the place where all the boats dock. It’s also where you’ll find a lot of fun things to explore, like restaurants, galleries, and fishing piers; not to mention other little villages like Cortez.
I shot this picture at water level using a Platypod on a remarkably calm night; usually, there’s a little chop. This is also a prolonged, thirteen-second exposure, so it makes the water appear even smoother. Then I stretched the lights a little downwards to accentuate them. But at the end of the day, if you squint your eyes a little, this is exactly what you would see on most evenings along the inter-coastal waterway. But if that doesn’t float your boat, there is always the beach on the other side.
