photography Archives - Page 3 of 25

May 11, 2017May 11, 2017

The New Lens

I took this with the new lens that I purchased from Sony. It’s a 85mm and I shot it wide open at f1.8. I’ve been missing this focal length since switching from Nikon several years ago. I could have purchased one earlier but for one reason or another never got around to it. I’m glad I waited because from what I can tell this new version performs identical to lenses three times it’s price. The first time I used it was on a trip to the Bahamas. As we were walking through the shops and alleyways I took a few shots to see what it could do.

Daily Image

Yesterday I wrote about how street photograph allows us to study a scene later. As for myself, I miss a lot of little details when I’m in the scene. I think we all do that, its natural. If three people walk into a place, each will see something different, like the three blind men and an elephant story. Maybe it’s wired into our DNA that we scan for predators which prevents us from seeing everything clearly.

This is where photography can play a role. It gives us a second chance to go back and see what was really going on. When I compare a photo to what I thought was going on it’s usually different to one degree or another.

Each type of lens allows us to record the same scene from a different perspective. Stand in one spot and aim the camera using a telephoto lens. Then aim it at the same spot with a wide-angle lens. Each capture will create a very different image.

more travel photography

Since each focal length creates a different perspective, choosing one allow us to go back later and see what we missed from that perspective. And of course there are infinite possibilities.

I think I’ve analyzed the hell out of that for now, but hey, that’s just how my brain works sometimes. Maybe I could just sum up the whole subject by saying that I’m digging the world at 85mm.

April 30, 2017

Miami Sunrise Panorama

I was a little lucky to capture this Miami sunrise panorama. We had just docked at the port of Miami after a weekend in the Bahamas. Because we docked at the last terminal it afforded this unique perspective of the city to the west and South Beach to the east. South Beach faces the Atlantic and so the sun is rising over the ocean.

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Regarding that, I was looking at this picture and wondering to myself why the sun was rising over the ocean? In all my photos from the west coast of Florida the sun sets on the ocean. I realized of course that this is the east coast and, I live on the west coast facing the other direction. Sometimes I get disoriented when traveling.

I grew up in the California Valley and I could always orient myself with the Sierra Nevada Mountains; they lie to the east. Out of habit, when traveling I try to orient to some elevated landmark. But Florida is flat so I rely on the sun for bearings. Naturally it seemed to me the sun was rising in the wrong place. At least that’s my excuse for now.

more panoramas

Because this is made up of multiple shots stitched together the resolution is very high. This prints out at about six feet by two feet at full resolution. That allows for details not possible with a single frame. It’s little like standing in the deck of the ship with binoculars and looking out, only in this case I used a high-resolution camera and a lucky perspective.

April 27, 2017April 27, 2017

Not Enough Focus

More than once on the blog I’ve mentioned that I prefer pictorialism to realism. I also prefer impressionism although I struggle for ways to express that in photography. One simple way however is through blurred images. This is an impressionistic street scene with not enough focus.

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I shot this on my first outing with a new lens, the Sony 85mm 1.8. I didn’t purposely take this out of focus, it was a mistake, but I immediately liked it. It makes me think I should do more. I prefer images that leave something for the imagination; they are more engaging.

I use a variety of techniques to abstract images but rarely lack of focus. It’s a valid form of simplification and now I wonder why I haven’t used it more. I think maybe it’s because I’m normally preoccupied with ensuring focus is tack sharp. It’s hard to break that habit, but if done intentionally and for a specific purpose, lack of focus is a way to impart a feeling or impression.

It’s ironic that the most expensive lenses for photography are the ones that provide the most pleasing out of focus. The out of focus area produced by a lens is called “bokeh”. Reviewers will rave about the area of an image that is out of focus and how pleasing it is. The ability to focus a lens is a given, but to have out of focus areas at the same time, that’s another matter entirely.

Street Images

In fact that’s why I bought this lens, because of its ability to create pleasing bokeh while maintaining sharp focus on something else. Only in this case nothing is sharp. I could say I did this on purpose but you know I didn’t. I like the effect but in this case it was not enough focus dot com.

April 5, 2017April 4, 2017

Atop a Cliff Overlooking the Pacific

As the name implies, the Cliff House restaurant is atop a cliff overlooking the pacific. This is a long exposure I did a few months ago. I came back about a month later and each time I was lucky enough to see a good sunset. As a result I have a tonne of pictures from every angle and many of them like this taken long after the sun went down.

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I used to shoot film and photos like this were impossible. You might get close but it was trial and error and required precise measurements, settings and calculations of exposure length. Now in the age of digital I can have images like this in a matter of minutes and know exactly how it turns out. So it’s no wonder people like me love shooting in low light. It’s a relatively new phenomenon in the age of photography.

Speaking of cameras and the age of photography, that giant camera at the edge is a Camera obscura. The idea was first used in the 1600’s as a painting aid. It’s an ancient device that employs the same principal as a pinhole camera by projecting a reflected image on a wall or table. Here is a reference to it on wikipedia.

I wonder if cameras will become obsolete in some future timeline of ours. They have come so far in a few hundred years and things are not slowing down. Maybe our eyes will get replaced with hi-definition sensors and view screens and then we can choose to save images or share with others in a virtual reality universe.

california images

Would the people that invented the Camera obscure recognize the cameras of today? In that same vein then I will not recognize cameras a hundred years from now. Given where we are headed with sensor tech and VR, perhaps my idea is not so far fetched.

March 23, 2017March 23, 2017

Minimalism Dreamscape

This is an example of a minimalism dreamscape. It’s a scene I recently witnessed one morning while the fog was clearing from the Gulf of Mexico. Because it was morning there was an even light across the water and sky. A few moments earlier the fog obscured the horizon line between the sea and the sky. It almost felt like flying.

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Minimalism is about space that we impregnate with our thoughts and dreams. By placing our thoughts into the space we find ourselves inside the scene. The point is to leave room for interpretation. We each fill in with something unique, we see the scene in our own way.

Sometimes during the day my mind wanders and random thoughts pass through. It’s as though my subconscious is bubbling to the surface for a brief moment. Minimalism provides a canvas for that to occur whether we realize it or not.

other dreamscapes

This image is a dreamscape because it is not real. There are hint’s what I did this in the image. But more importantly it represents a feeling or idea that I have. Sometimes pictures are better than words for conveying ephemeral ideas like that.

The point of this composition is to leave room amongst the sea and sky for your thoughts.

March 10, 2017March 10, 2017

Fortunate Enough

This is a long exposure of the marina in Palmetto. Once the sun goes down the glow on the horizon fades for about an hour. The last few minutes of the glow are almost imperceptible yet appears more pronounced with a long exposure. This is image is eight-seconds and of course was taken with a tripod. Because the glow is more pronounced it contrasts with the night sky directly overhead. It’s a unique lighting situation that I was fortunate enough to capture. The scene is enhanced even more by the color of the thin clouds above the boats.

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I Was Fortunate Enough — I was fortunate enough to capture the light of dusk

I didn’t know ahead of time these conditions were occurring. But I had my camera and was looking for something to capture. Taking the time to notice what is happening is a skill. This scene was not apparent with a casual glance. To see a scene like this I need to slow down and put myself in a different mindset. In that mindset I’ll see scenes I’m not necessarily looking for.

boats in the gallery

My theory is that interesting things appear around us all the time. The challenge is to get past that little voice that insists there is nothing to look at. I get that a lot when I go out to do photography. To push past that takes will power. It produces rewards by simply continuing when I think I should give up. I surprise myself sometimes at the shots I get. It’s not that I’m super talented, it’s more that I give myself opportunities. The more I do that the better my chances. That sounds like a sports metaphor but it’s equally applicable to photography, or, any other worthwhile endeavor; at least thats my theory.

February 24, 2017February 24, 2017

Burden of Beauty

When I see a scene like this I want to capture it with my camera. That’s great if I have my camera, it’s stressful if I don’t. Its what I call the burden of beauty. Photography has opened my eyes so I am more aware of what’s around me. When I see something interesting or pretty the inclination is to take a picture. So now I not only appreciate more, I want to capture it. As problems go I suppose its a good one to have.

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Burden of Beauty — The burden of beauty demands that I capture scenes like this

I took this in Sarasota last week as the rain clouds were clearing. There is a special quality to the light at times like this. I feel the need to capture elusive light. Sometimes the photos are simply clouds, water and sun. Generally they never make it to my collections, maybe they lack that little something extra of interest to a wider audience. That’s okay, I’m glad I captured it all the same.

“Capture” is a funny word. We cannot capture anything as ephemeral as light, we record it. But I try to convey a little of what I felt or saw at the time. So when I say I capture an image, that’s shorthand for recording a scene and trying to convey a sense of the moment. It’s not easy but I try.

Sarasota Gallery

Have you ever been away from home, seen something you’ve never seen and then call home to talk about it? That’s how I can feel even just walking the dog, I want to share it. It happens all the time. I think that’s because I have a heightened appreciation for moments like this; that’s the burden of beauty.

February 23, 2017February 23, 2017

Miami to Dallas

I took this one night on a pier facing the Gulf of Mexico. I only noticed the streak of light after I returned home. If I had to guess I’d say it’s a commuter flight from Miami to Dallas. Sometimes when I travel out west, I go to Miami first and then fly back over my town in central Florida. I have no way of knowing for sure.

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The commuter flight from Miami to Dallas

I sat on this pier, the only person at the beach in the late hour, aiming at the heavens with my camera and tripod. At fifteen-seconds, this is a relatively short exposure for night photography. But I planned it that way because anything longer than about 20 seconds creates star trails with the rotation of the earth. To get this I set the ISO to 1600 and my lens aperture to f2.8. That lets enough light in for the stars and causes the water to appear flat.

I like taking photos at night, especially of I can capture stars. But I’ve never gotten a great image of the Milky way. I have plenty of opportunities, it’s just a matter of knowing when to drag myself out at night and point the camera in the right direction. There are plenty of clear nights where I live so I’m beginning to think I should work on that.

night photography

The other day I wrote something about the number of stars in the Galaxy and the universe. Suffice to say it’s a number too large to comprehend. That being said, I can think of no better way to try than to sit out on this pier at night and see how many I can jam into my camera. And who knows, I might even catch a commuter flight while I’m at it.

February 21, 2017February 21, 2017

Into the Scene

Whenever I see a photo of a bench I unconsciously project myself into the scene. It’s something I realized early in photography and a theme I’ve repeated through the years. An empty bench can be a metaphor for many different ideas. This one was at the base of the Coit Tower in San Francisco. In fact there was a girl sitting here earlier but I didn’t like how it turned out so I opted for the empty version.

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As I was saying we tend to project ourselves into photos or scenes. I’m not sure we’re aware of it but it’s a natural consequence of seeing. Where we put our attention is where we go in our mind. You can say a lot of things about what and who we are, but one thing for sure is that we experience things. We experience things physically in the world and we experience things in our inner world of thoughts and feelings.

If we see a bench in front of us, whether we are standing there or seeing it in a photo it’s nearly the same experience. So if we walk up to the bench physically or in our mind it is of little consequence. We don’t need to be somewhere to experience it. This is the essence of projection and it is something we do all of the time, whether we realize it or not.

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If we can pause momentarily and experience the sensation of looking out the window, in some small way we will each have shared a common experience.

February 14, 2017February 14, 2017

Chandelier in the Cathedral

This is a large chandelier in the Cathedral of St Mary of the Assumption in San Francisco. Without a doubt it is the first think you notice when you walk in. It’s positioned above the alter and reflects the light from the windows of four corners. When I walked in it was all I could do to stand there and look up. I imagine that’s the intended effect; to give pause and a feeling that this is an extraordinary space.

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My Sony A7rII camera has a silent shooting mode. I turn that on whenever I enter a house of worship or any place where the sound of a shutter might break the mood. I try to respect places like this even though I want to take photos. My desire to get a good photo does not trump my manners or sense of reverence. As much as I love to get a good photo, I’ll walk away if I feel I’b be crossing some line.

That’s not to say that happens a lot. In the vast majority of cases its cool. Even if I have to take a few chances, sometimes it’s better to get forgiveness than permission. But invading someone’s space when taking photos is not cool. If I find someone in contemplation when I walk up with my camera, I’ll walk away if I cannot capture the scene without disrupting it.

abstract gallery

For me it’s as much about the presence of mind as it is about the picture. That sometimes involves being respectful of other people’s space.