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A Rainy Day In Rome

I took this while walking around in the rain in the middle of summer. Even though it was raining it was warm and humid, not unlike Florida. However unlike Florida the energy of the city was entirely unique to me. I was very happy to be here, especially in the rain, because of the atmosphere it created.

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A Rainy Day In Rome
A Rainy Day In Rome

For each image this week I’ve used Topaz to render part of the scene in an impressionistic style. In this scene all but the central subject has been “painted” by the software while I blended in the original image of the lady with the umbrella.

Having the ability to blend photos opens up choices in terms of artistic expression. I combine renderings of the software with realistic aspects of a photo. Then I work with color, saturation, contrast and shadows so I can re-create a scene more from my mind than actual event. In some cases that suits my preferences as it relates to photography.

the full gallery

I’ll continue to use this technique here and there. It’s all part of a creative process enabled by a fusion of technology, personal expression and photography.

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Impression of a Random Canal

Here is another scene that I rendered with Topaz Impression. It’s a photo I took of a random canal in Venice and later blended with an impressionistic rendering from Topaz. I’m experimenting with this technique and I am intrigued by the possibilities it presents.

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Impression of a Random Canal
Impression of a Random Canal in Venice Italy

When you visit Venice one of the first things you’ll notice are the artists everywhere. It’s easy to understand because of the abundance of inspiration. If I was a painter I could see myself on a random bridge of a canal painting a similar scene. As a photographer / technologist I use software to get the effect of a painting to create an impression of the place, which is sometimes more satisfying than documentation.

canada gallery

The way software and computers are going we will one day simply look through glasses and have any scene rendered the way we want to see it in real-time. It will be a form of advanced augmented reality and it’s probably not too far off. That, and who knows what else.

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Old Section of Salerno

When I was in Salerno it rained like cats and dogs. Italy had been in a drought that was just broken with a few days of heavy rain. Despite that I was happy to walk around looking for compositions while sheltering under entryways.

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Old Section of Salerno
Old Section of Salerno Italy

I took this during one particularly heavy downpour. I was forced to stay in one spot for an extended period, which in retrospect was a good thing. It’s sometimes better to pick a spot and let the world come to you. If you wait patiently, all kinds of interesting scenes will appear no matter where you are.

This is in an old shopping district of Salerno. The buildings and shops looked like they haven’t changed much in a hundred years. I got the sense that some shop keepers carried on traditions from one generation to the next.

more monochrome images

As the rain let up I continued to walk and eventually the narrow streets opened up into a newer section of town. The shops there were brand-name boutiques you’d recognize in any mall. As for me I preferred the character of the old section much more.

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Night Scene of St Marks Square

This is another night scene of St Marks Square. There were a lot of people here and I wanted to capture the energy of it. There are so many different perspectives you could take of this place, but this time I chose to include the crowds. The architecture makes the scene but I find it more interesting with people.

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Night Scene of St Marks Square

High-resolution photography creates an opportunity to go back and people-watch. Often when I’m reviewing photos I’ll zoom in to observe some detail that was lost on me at the time. When taking photos I’m composing so even though I’m recording a scene I’ll miss a lot of details. Through the image I can go back and revisit much more of what was going on at the time.

architecture photography

In that respect photography is a little like time travel; it takes us back to an event in a vivid way. Reviewing photos is not for our memory, but it fills in details we may not have been aware of at the time. In the end I’m left with a richer experience altogether.

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Inside Le sette Chiese

I took this inside the 8th century Le sette Chiese at the center of Bologna. It’s a complex of buildings including a seminary, cathedral and museum. It’s worth a visit if you’re in the area.

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Inside Le sette Chiese
Inside Le sette Chiese in Bologna

I will say that Italy has a lot of is Catholic churches and it’s easy to get overwhelmed with so may. Before you know it they all start running together and you can’t remember one form the other. At least that happens with me, so I look for things to take pictures of to remind me of something unique. In this case there were monks walking around attending to duties and I thought that was interesting.

more images of cathedrals

I try to be as discrete as possible in situations like this by putting the camera into silent shutter mode. That’s a camera setting and a way to take photos without any shutter noise. More and more cameras have that these days because it’s useful in a lot of settings, not just churches. Think for a moment of a golf swing or a recital and you can imagine how any sound might ruin the moment. Anyway, I’ve even set a button the camera to turn on silent shutter mode so I can quickly and quietly capture moments like this.

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Cruise Ship Leaving the Port of Venice

This was taken from a water taxi as we passed a cruise ship leaving the port of Venice. I’ve been on several cruises and the port of Venice is the most scenic I’ve seen. This was not the ship I was on but if you look close you’ll see all the passengers lined up along the rail. They’re looking out at the city of Venice.

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Cruise Ship Leaving the Port of Venice
Cruise Ship Leaving the Port of Venice

I was on an even larger ship that left a few hours later and the scene must have looked similar. There were so many people standing on one side that the hull tilted towards the city. It was the most amazing feeling; the ships are so large it never occurred to me that the weight of the passengers could make it tilt.

The procedure for docking a cruise ship in Venice involves being towed by two or more tugboats. The tugs are massive machines. There is one that pulls from the bow and one or more that guide the stern. Because they move so slow you have a perfect vantage of the city. I stood on the thirteenth deck and looked down upon the rooftops. It was one of the highlights of the cruise.

more images of boats

In any case, this was just a random shot with an interesting perspective. It’s one thing to stand on the top deck and look out, and quite another to see it pass by from the water level.

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Bridge of Sighs

This is the Bridge of Sighs as it frames a crowd of people beyond. In this case I am focused on the crowds rather than attempting to obscure them. It’s a different perspective but something I’ve been exploring lately. Lets just say it’s a slightly different take on travel photography.

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Bridge of Sighs
Bridge of Sighs in Venice

My idea is to have crowds of people juxtaposed to architecture or in iconic settings. If it’s done right there’s something that makes us want to look closer. Normally crowds are not that interesting but therein lies the challenge.

Also I write about it because it helps me make sense of new ideas like this. The more I integrate it the more I can repeat this idea in different settings; it’s a form of study.

more bridge images

Writing is an integral part of photography for me. I take a photo, work on it and then write about it. In the end I have a something more than just a photo. All the while I’m learning something new and having a little fun. And as they say, it’s all good.

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Another Vision of Venice

Here is another vision of Venice that I took from a boat. A vision is what best describes this place; it seems not entirely real. When you’re in Venice the real world seems to fade away and become distant. Venice holds its own kind of reality, like the fabled Brigadoon. And then the opposite happens, you leave and the magic dissipates and you feel that Venice was like a vision.

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Another Vision of Venice
Another vision of Venice at night from a boat

Anyway, like some other photos I’ve produced, this was taken hand held at night from a boat. I’d normally use a tripod to get a better exposure with a lower ISO, but using a high ISO my camera’s sensor is able to recover most of the details of the night scene.

Do you ever notice that when you go to an amazing place you feel like you want to live there? Or maybe you feel like you’ve been there before. The excitement of seeing new places and the feelings it produces are why we travel in the first place.

more night photography

This is travel photography with a twist. It’s from a place that doesn’t seem real until you go there. It seems to have a reality slightly removed from the real world. Maybe I should call it vision photography, …or maybe not.

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Corniglia

I took this photo of Corniglia from a small boat travelling along the Cinque Terre coast. It was a very hot day so sitting in a boat was a good option. We passed several little villages just like this and I was thinking it would be hard to imagine a more picturesque setting. The villages look remote and isolated but in fact are connected by trains, roads and a hiking path.

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Corniglia
Corniglia in Cinque Terre Italy

In one sense it was a shame I only had a day here, but now I know where to come back for a proper visit.

more landscape images

When you look closely at these towns on the rugged slopes you realize they’ve taken centuries to build; the locations are most improbable. I believe they were originally properties of barons and such and the inaccessibility was a deterrent to pirates. Now they are communities with traditions, culture and hundreds of years of history. And based on the way they are built, I think they’ll be around for many more centuries.

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Streets of Calata Doria

I snapped this while walking through the streets of Calata Doria in Liguria Italy. Try as he could, this gentleman couldn’t remember what he had for dinner last night. I offered a suggestion but he said they didn’t have a Taco Bell nearby. This is my version fake news.

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Streets of Calata Doria

For some reason this man looks distressed but in reality I don’t recall that being the case, he was just taking a load off his feet and I happen to catch him with his hands just so. We all make expressions throughout the day that if taken out of context can send the wrong impression.

I feel a little like paparazzi when I take street photos of people. I prefer to have people look natural, but if they see me aiming they’ll react. The idea is to capture people unaware; it’s a more interesting study of human behavior.

The trick is to be as unobtrusive as possible. One technique is to line up a scene and wait for someone to walk through it. But if I’m too obvious folks stop and wait for me to finish, it gets a little awkward.

more from europe

I suppose if I were real a member of the paparazzi I’d know how to do these things real well and not feel awkward. Then I maybe could get on board with the whole fake news thing, …or not.