Landscape photography is the most natural thing to do around the section of Florida I live in. And since its so easy, I should be doing a lot more of it.
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But life gets in the way. There are dozens of perfect evenings that I let slip by. No matter what I’m doing, I still look out the window to see what I’m missing. I think sailors do the same thing.
I don’t get a lot of opportunities to take pictures of the mountains. I think of that as landscape photography. However, in Florida, we use clouds as stand-ins for peaks. They are usually interesting enough to fill up the top half of a frame. Throw in a sunset and Bob’s or uncle.
There is something about a stand of palm trees that begs to be photographed. These are from a nature preserve surrounded by urban sprawl.
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I have never been forward thinking enough to be passionate about green spaces and parks. But as I get a little wiser, I’m grateful to other people that are. This park is named after the late Tom Bennett who was a local resident. Apparently, he and his family were indeed passionate about green spaces, and I have them to thank for this photo.
I once had a colleague in Toronto who invested in land to be used as a wild preserve. She only wanted the property to be left to nature and not developed. That was a long time ago, and since then, Toronto has gone crazy with development. As I think back, I see that she was a visionary and, I wonder if she held out. For the sake of short-sighted folks like me, I hope she did.
This is looking up the Manatee River in summer. After a few minutes we got a thunderstorm for about twenty minutes, then a crazy sunset; every day like clockwork.
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The one-second shutter speed makes the water smooth, like the calm before the storm. I’m nervous when out in these conditions, the air is thick, and it’s only a matter of time before lightning strikes. We get more lightning than anywhere on earth because of the geography. My heightened state of nerves battles it out with my need to get a good picture.
The thunder clouds always come down the river, from east to west. Often, if we’re at an outdoor restaurant along the water, we can watch the clouds heading towards us. The river is about a mile wide, so it has its own micro-climate. After the storm passes, we brush the water off the table and, enjoy the rest of the meal, just like clockwork.
My favorite thing about the trip across the Atlantic was the open sea. For over a week there was nothing but water and clouds.
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When we booked the trip, I wasn’t sure what eight days at sea would be like. Now, I would do it again in a heartbeat. The entire time we did not see land, another boat, or a plane. It was an opportunity to detach from all land-based frames of reference.
On the final day before arriving at Port Canaveral, we began to see planes in the sky and seabirds. It was the first signs that home was not far off. It’s nice to back on the ground, but at the same time, it was nice to have a glimpse of a perspective where all the familiar references were not there.
This photo is created with the 2019 version of AuroraHDR. Skylum, the company that creates AuroraHDR, has outdone themselves this time.
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That’s good for people like me that take a lot of bracketed shots. This is a three frame HDR that I processed with both Aurora and Luminar. Luminar is the other software from Skylum that is a lot like Lightroom, only easier to use and, in my opinion, better. In truth, I use a lot of different tools including Lightroom and Photoshop; it’s all good.
I ran into a guy today that showed me some jaw-dropping photos of Iceland he took with his phone. The colors and detail were so amazing that I thought they were processed; no, straight-out-of-camera. That just goes to prove that the processing is not everything. Placement, composition, a sense of balance can produce better photos than all the processing in the world. All this hocus-pocus is just icing on the cake, so to speak.
Here is a shot I took last year in Sarasota. It was one of those rushed shots that I was frantically trying to capture as the sun disappeared. The windblown palms added drama to the scene which meant that a three image HDR was out of the question. Nevertheless, I was able to get this with a single exposure from that fantastic Sony sensor on the A7RII.
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I took this with a super wide angle 12mm lens. I don’t use it as much as I’d like, but this is an example of what it can do. In a lot of cases, it’s too wide for my needs. But still, it’s nice to have it in the kit.
One thing it does well is to include a lot of the sky. In this case, that’s what I wanted because of the clouds and colors. But at other times it can leave a lot of empty space. Anyway, I’m happy with how it turned out with the combination of the windblown palms, leading lines and dramatic clouds.
I know I shouldn’t spend time wishing I was somewhere else. However, I do. Except when I’m here, then I don’t.
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When I have a vacation coming up, I wish I was there already; but if I were, it would be over sooner, and I’d be back to the real world when I should be on vacation. The only other option is to make life one big vacation. Yeah, like that’s going to happen.
If life was just one big vacation, would I want to go to work? I think I know the answer to that. Sometimes I have too many thoughts for my own good. The best cure for that is a beach-view of the sunset on Friday. There’s plenty of time for the other stuff on Monday.
This image is another photo from Myakka River State Park and has some compositional no-nos in it. I’m not sure why, but I like it anyway. Maybe its the colors or the symmetry created from the reflections.
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I take a lot of photos that never make it to the light of day. I do however review all of them in thumbnail form. There are very few winners; nevertheless, this caught my eye even though the tops of the palm trees are cut off.
Sometimes the colors, shapes, and feeling of an image can override the rules of composition. Rules are just guidelines that can be broken. I try to go with what feels right to me, and in this case, a photo with real issues feels okay. I hope you don’t mind if I ignore its flaws.
This shot is another in my continuing series of lifeguard stands. It also represents my interest in landscape minimalism. I took this at Venice Beach in Florida a couple of years ago.
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The way I see it, the sky, sea, and shore create negative space for the subject. In this way, the item is more substantial. But those are my thoughts. For you, it could be different.
I use minimalism and negative space in artistic leaning photographs to show a connection to the environment. For whatever reason, I’m wired to wonder how and why things exist within a broader context. One way of perceiving a situation is by taking a step back. It seems that I do that a lot, so it’s only natural it would come out in my photography.
Now tell me, do we get amazing sunsets in Florida or what? I took this crazy panorama of my hometown of Palmetto last Friday. In fact, my drone took this photo. I sat out front with a refreshing beverage in a lawn chair and sent my robot drone up to take the picture. Okay, so I’m exaggerating a little, I had to pilot it, compose the shot, and press the shutter button, but with a little more AI, maybe it could do that too.
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Typically, when I take photos, I get my gear, put it in the car, and drive somewhere. Then I get the gear out of the car, walk, compose, and click. Then, I walk some more and do it again, over and over. After all that, I end up with one or two good shots, and then I’m tired. But this time I decided to sit back in a chair and send the drone up. No driving, no packing, no walking.
This whole experience got me thinking that these drones are very close to becoming robots. Fast forward ten years and I’ll be sitting in my living room with a VR headset talking to Siri. I’ll ask her to send up the drone, fly somewhere special, look around, and take a photo as if I was there myself. I won’t leave the comfort of my home. Does that sound absurd? I wonder if the idea is not too far off the mark.