clouds Archives - Page 23 of 24

July 31, 2017

Gotham City

It’s been so long since I was here last that I had forgotten where everything was. So it was a nice surprise when I “found” the Jackie Kennedy Onassis reservoir late at night on a bike. This is from the north side facing back towards midtown. This night scene with the clouds reminds me of Gotham City.

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I rented the bike for the evening as a way to get around Central Park. I got a basket so I could carry my tripod, as I’d need it for long exposures. The park is open until one in the morning and it was a nice surprise to find so many people out at such a late hour. For me, nighttime is the best time to take pictures here because of the overall moodiness. I stopped so often to set up my tripod that I could have easily been here all night. It was very quiet and I was in the zone.

This panorama consists of four vertical long exposure images, each thirty-seconds long. The clouds were heavy which added to the drama of the scene. They are especially illuminated above mid-town, as you would expect. My guess is that the light given off by Times Square is easily visible from space.

more panorama images

It still amazes me that Manhattan has such a big park in the middle of the city. It’s a vital organ of the city; I think the lungs. Whether you are running, cycling or just sitting on a bench, this is where you come to breathe in, breath out and reconnect.

July 28, 2017

Panorama of the Pier

This is a panorama of the pier on Anna Maria Island on another one of my Sunday drives. I take a disproportionate number of photos on Sunday because I usually end up going for a drive. I’ve also been taking a lot of panoramas lately. This one I’ve shortened but it is actually another twenty-five percent wider on the right. It looks better on a wall that way but what you see here is cropped for the web.

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One thing I will say about Anna Maria Island is how quiet it is. That may seem like an unusual statement for someone living or visiting here, but it’s true. I just got back from New York City and the contrast couldn’t be more apparent. Comparing apples and oranges (pardon the analogy) is not a fair comparison, but take away everything else and you are left with the sounds.

Don’t get me wrong, I LOVE New York City. But coming back to Florida after a little visit there reminds me how much I like quiet places as well. Quite frankly I can use a little more New York in my life, but I sure am fortunate to live here in Florida. We have open spaces, sea breezes and the quiet sound of the waves.

more from Anna Maria Island

Now that I got that off my chest, I have half a mind to plan another trip to NYC. But in the meantime I’ll go for Sunday drives and look for scenes like this and listen to the sounds of a tropical island right here in Florida.

July 21, 2017

Inter-coastal on Longboat

This is a long exposure from a park that sits on the border between Sarasota and Manatee counties. It’s a new park so on a recent Sunday drive I stopped by to see it for myself. I’m facing towards the inter-coastal on Longboat Key.

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A long exposure of the Inter-coastal on Longboat Key in Sarasota

You may ask, how is it possible to take a long exposure at midday? Glad you asked; I used a strong ND filter. ND stands for neutral density and it blocks the light. In fact I used two filters and together they REALLY block the light. So much so that I can keep the shutter open for a minute or two, something I can normally do only at night.

So why would I want to take a long exposure during the day? Another great question; because everything is gets smoothed out. Even water that has waves appears smooth, the same goes for clouds; they all appear smooth. It’s a cheap special effect you can achieve without a big Hollywood budget.

other long exposure images

You can get pretty creative with photography if you have nothing better to do on a Sunday afternoon. As for me I rarely have anything better to do. Standing in an empty park taking long exposures in broad daylight is my idea of a good time. Can you think of anything better to do?

July 20, 2017

Light Over the River

I captured the light over the river one evening after the rain. Riverwalk is quiet directly after a heavy rain. However within thirty minutes people are back milling about, walking, running and fishing from the pier.

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I get a little carried away when the light is like this. I’m attuned to special light. For instance I noticed it while doing exercise at the gym this morning. The clouds were in such a way that the light was diffused and I noticed. I notice it pretty much each evening in summer when we get broken clouds after rain. And I notice it when we get unusual weather here in Florida, which can be once a week or more. So on those yet fewer occasions when I have my camera, I get carried away. I’m making up for missed opportunities; I become a bit of a madman.

It borders on obsession. I lose track of everything else as I work on framing the light in different ways. That’s the big difference between a photographer and a painter. Photographers work in a short window of time and a lot must line up for it to work. A painter carries the scene in his or her head, timing has very little to do with it. However I can take all the time in the world when post processing. It’s closer to painting because if the image in my head differs from the one in the camera, I can take my time processing it to bring the two closer together.

other images of dusk

At some level I’m simply working with light. There are mechanical tools and skill and knowledge and software and locations and weather and timing all mixed together. But at some level it’s all just working with light. As I think about it, it’s really kind of amazing for reasons I can only begin to guess.

July 18, 2017

Minimalistic Aesthetic

The minimalistic aesthetic is something I look for wherever I go. It’s easy to compose minimalistic scenes when facing out to sea; the ocean is a natural canvas. A pier or ship or any solitary object creates an object of interest. My theory is that minimalism provides more room for interpretation and connection to the viewer precisely because there is less to look at.

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More difficult perhaps is minimalism in a big city. It involves framing singular aspects of objects in a way that give them space and room to breath. Unlike an open ocean, capturing minimalism becomes a puzzle within the visually crowded confines of a city. For whatever reason I’ve notice that German photographers seem to be good at this. Maybe it’s a reflection of the culture in some way.

A minimalistic aesthetic as it applies to architecture photography involves seeing things in an isolated way. It’s attention to the little details in plain site that escape most of us. It’s a pursuit that points out what we see but don’t recognize. In my opinion artful photography helps us see with new eyes.

As an aside, I have a very clear recollection of taking this old pier at Gasparilla Island. A few minutes later I slipped and broke my camera. That was over two years ago but it’s never far from my mind. Since then I am extra careful when handling my camera. However, the other day I dropped my camera on the pavement as I was getting out of my car. It dropped from about two feet and I was lucky because there was no damage. But I was rushing and that led to the mishap.

more minimalism

Anyway, it’s good to slow down when looking for minimalism in a city or the sea. By taking extra time we might notice the less obvious perspectives in plain sight. An additional benefit of slowing down is we’ll be less likely to drop a camera.

July 14, 2017July 14, 2017

Entrance to the Gulf of Mexico

The DeSoto National Memorial is a park with trails through the mangroves at the entrance to the Gulf of Mexico. I keep coming here to capture scenes along the water. Like most parks in this area it closes at sunset. But in this case I lingered to capture the vibrant tones past dusk.

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I get spoiled with our sunsets. Well not really spoiled, but I do get overloaded with so many sunsets this time of year. With a great sunset each night I get a little complacent and then all of a sudden I miss a really good one. That happens several times a week. I have an unrealistic desire to capture every sunset. I will be first in line to pre-order one of Elon Musk’s transporters as soon as it gets invented. See a good sunset, push a button and I’m at the beach. Guaranteed to never miss a good one.

When I decide not to go out I know I might be missing something. It’s hard to just sit back and watch without wanting to capture it with a camera. If I have to do a chore and don’t look outside I’m okay, but when I see colorful clouds I go a little crazy. I suppose it has something to do with why I got into photography in the first place, to capture and convey.

more sunsets in the gallery

If I were a painter I’d probably feature sunsets as much as I do with photography. The nice thing about painting is you can portray a scene as you see it in your mind, there’s no rush to get to a location for the light. With landscape photography we are working with times of the day: two different approaches to convey scenes. In the end, none of it compares to the real thing. If you consider variations in color and shapes of clouds and textures of terrain you realize that whether we’re painting or taking photos, we are attempting to reproduce the work of a much greater artist.

July 13, 2017

Dawn in a Light Rain

This is a bench at a waterfront park just across the river from me. I took this at dawn in a light rain. My intention was to capture a sunrise but the sun never made it through the clouds. Sometimes I’ll come here to take pictures right after it rains but in this case it was just starting. I snapped a few shots and then retreated to my car to wait it out. After about fifteen minutes it got heavier so I headed home and this is one of the few shots I got.

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I like this for the leading line and the bench under the light. If you look close you’ll see the rain under the lamp. When we see images like this we project ourselves on to the bench or out along the path. The projection is an automatic response, which leads to a reaction. If we see ourselves somewhere we want to be we’ll probably like the photo.

Thinking about how photos work and affect us is something I do a lot of. To most of us this is just a photo in a park, we don’t think about why we like or dislike it. It’s true that I have a habit of thinking too much, but I’m also curious about photos. I’m constantly learning by noticing things about images.

Urban Exploration in the Gallery

Some people go to the four corners of the earth to explore and get amazing photos. I like traveling too but I spend a lot of time around home. So I forces me to look past the mundane and think about the things that make a photo interesting. In that way it doesn’t really matter where I am. Even if I had to stay in one spot for a year I would try taking a new perspective each day. That’s a little challenge and game I play when shooting images of things I see often and close to home.

July 12, 2017

Driftwood on the Coast

Last weekend I visited a remote beach that is only accessible by boat or hike. Over the years it’s become a bohemian hideaway of sorts for people that want to escape the crowds. Local photographers, including yours truly, flock here regularly to capture the compositions of driftwood on the coast.

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Driftwood on the Coast — Driftwood on the coast in Longboat Key Florida

Normally I come here to shoot landscapes but this time I was taking portraits. I showed up with a crew to shoot a couple that is about to be married. It was their first time here and they loved the setting. The landscape photographer in me is always looking for opportunities so during wardrobe changes I’d look around looking for compositions like this.

We were fortunate and had perfect clouds for a sunset. You never know how it will turn out but many times throughout the summer you can almost count on the rain tapering off for the sun to stream through the broken clouds.

beach images from the gallery

Like the last time I was here there were a half dozen photographers all doing one thing or another. I think if I showed up on a Monday or Tuesday I might be the only one. Even so, it was quiet and relatively sparse as compared to the accessible beaches five minutes up the coast.

Mainly people come here to get away from the crowds and take pictures. That was exactly what we did and we all came away thinking it was well worth the hike.

July 11, 2017July 11, 2017

Dystopian Dreamscape

This is adjacent to a marina at the Great Salt Lake. I took this as an afterthought and didn’t think much of it at the time. Only after I processed it in monochrome does it come across as a dystopian dreamscape. Surrounded my mountains it has an otherworldly quality to it.

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Dystopian Dreamscape just outside of Salt lake City

This is a furnace stack from a smelting plant just outside of Salt Lake City. It towers above the landscape and was the visible for many miles. It’s so big it creates an optical illusion of sorts. From afar it appears much closer than it is. Next to the surrounding hills it looks like something on Mars or the moon. The area is rich in minerals and home to some of the largest mines in the world; it’s little wonder the scales are so large.

Speaking of worlds, the cooper mine over the ridge is so large it can be seen from space. The tip of it can be seen from all over the Salt Lake City valley, but it’s in the background, not really a main feature. It’s easy to spot and I suppose the same holds true if you’re looking out the window from the ISS. Here is a picture of it from the NASA archives.

more monochrome images

When we go back to the moon or make it to Mars, we’ll be doing quite a bit of mining. The idea is to use the resources available to build, construct and sustain. Maybe in a few hundred years when someone sees this picture they’ll think it looks just like some places they saw on Mars while on vacation. You just never know.

July 7, 2017

Colorful Clouds at Dusk

This time of year we have colorful clouds at dusk nearly every night. This is a shot from a few days ago in my neighborhood. Normally for a shot like this I would use a tripod but I just ran out of my house in awe. Getting this image pushes the Sony sensor to the edge of its limits in terms of recovering shadows and details. If you zoom in you can pick out a lot of noise and flaws. Nevertheless I was able to get the scene in unfavorable conditions on a moments notice. I wish I had used a tripod, but in the end the Sony sensor compensated very well.

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Where I live there seems to be some kind of atmospheric border. At around sunset each day the east boils with violent ominous clouds and the west is lit with broken clouds in a cascade of colors. I will see completely different weather depending on which window I look out of. It seems like the border between these two conditions is right over street. As soon as the sun sets the clouds settle down and any local storms subside. The tropical climate here in Florida can be truly different from one block to the next.

more cloudscapes from the gallery

By the next morning the sky is blue without a hint drama or clouds. But as soon as the sun heats up the clouds re-appear as though out of thin air. They get thicker and more dramatic throughout the day until thunderstorms appear and then dissipate at dusk. It’s a predictable pattern that repeats each day. Only when we get tropical depressions does this pattern change and then it’s anyone’s guess as to what will happen.