The Platypod is a mini holder for the camera that allows you to get these low angles. If nothing else that provides a different perspective.
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The crew of our ship would wash the decks with hoses each morning. Because I have a habit of waking up before dawn, I’d see them and then use the Platypod to take photos like this. I guess we can call these types of shots low angle studies.
There are a lot of things to take pictures of on a ship, but after a while, I was wracking my brain for something new. Once I discovered this little trick, I made a ton of these studies. Eventually, it got old, and so the next time I go on a cruise, I’ll be looking for something else to keep me interested.
This was taken about three years ago in Alaska. It was around eleven o’clock at night as the sun slowly inched down. Then, just a few hours later it would creep back up.
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I took the picture from a ship as we sailed north. This scene was repeated in an endless succession of mountains and untouched wilderness. I was blown away at the vastness of natural landscape here. Until you experience it yourself, it’s hard to imagine. And it’s equally hard for me to convey in writing.
If you have never been to Alaska, put it on your list. There is nothing like a lot of open space and massive mountain peaks to clear out the urban cobwebs and refresh one’s sense of perspective.
In Skagway Alaska, we caught a sightseeing train from the sea up into White Pass. I took this just after we reversed directions to head back down.
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The whole trip I hung out between the cars where I could get pictures of the landscape. On the way up we were in the first car behind the engine. Then the train pulled into a siding and the locomotive connected to the other end and, as you can see, we were at the back.
It was pretty high up, and the weather dropped about forty-degrees. Skagway used to be a mining town, and in the Klondike days before the train, miners would traverse the pass on foot or mule. That would be a hard slog indeed, so I was glad to be on a train with its trusty breaks all the way back down.
Here is a shot of the train we took from Seward to Anchorage a couple of years back. It was at the end of a cruise, and the only way back to the airport was a four-hour train ride through the mountains. Needless to say, it was a lot of fun.
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I ended up roaming the train, back and forth through the cars like a kid in a candy shop. I would stop between the cars to take pictures of the scenery rushing by. This is how travel was meant to be.
If you stayed in your seat, they would come around and take your order for food and drinks. Unlike an airplane, you have a lot of space to stretch out and enjoy the meal. But I was on my feet most of the time, quite often at the front near the engine snapping photos like this.
I took this on a train to Anchorage Alaska as I stood on the platform of a rail car just behind the engine. It is fair to say I got a good dose of diesel fumes that day, especially in the tunnels. But I wouldn’t have traded it for anything, it was an awesome experience. The more I ride trains the more pictures I have of coming through tunnels. It invariable evokes the metaphors of pulling through and the light at the end. These are things we all experience and it’s natural to find corollaries in the world to represent our inner thoughts.
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As such I wax philosophical about images because sometimes I find it more interesting that what my camera settings were or what I was doing at the time. I’m interesting in interpretation and how we relate to images.
I prefer to find a hopeful meaning in an image. For me it’s important to be open to the possibility of good things. I think good things are not by chance, rather a state of mind; that’s what optimism is.
I am fortunate to have traveled the rails on a high mountain pass and experience re-emerging into the light from a tunnel. It is at once visceral and metaphorical. What more could I want?
I took this on a slow train through heaven, otherwise known as the line from Seward to Anchorage. It was in the middle of summer when the days were long and the weather was warm. As we rolled through the mountains we spotted bears and moose along side of the train.
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I stood on a platform between the cars and snapped pictures for much of the five hour journey. We had a choice between the train and a bus but choose the train even though it was slower. Given a choice I will always take the train, it’s my favorite way to travel.
The river here is the runoff of a glacier that’s just off to the left. This is in Kenai Peninsula Borough which according to Wikipedia is about 16,000 square miles, half of which is water.
A train is perhaps not the best way to see everything, but it’s a good way to see parts of the land not accessible by road. As large as this land is the borough has a small population. That leaves a lot of room for wilderness and that’s mainly what I saw the whole way; beautiful pristine wilderness.
By setting the ISO on my camera to 200 I was able to freeze the motion of the train. The shutter speed was one two-thousands of a second. That’s fast enough to remove all trace of motion. Taking pictures hanging out of a train may not be the best way to get a photo, but you work with what you have. And on this day I had a slow train through heaven. That’s something I could work with.
This is the central foyer of the Royal Caribbean’s Radiance of the Seas. I took this early one morning which is the only time that no people are present. The central column is about eight stories high and is serviced by elevators and stairwells. In the evening this is augmented with a colorful lighting display. I found this perspective through a glass portal at the very top.
At the very bottom is a bar, the next up is a Starbucks, then a champagne bar and so on up the levels. There are game rooms, libraries, areas for lounging, each level is unique. Often we would lean against the banister and watch the band playing music below or perhaps watch a demonstration on cake making. Certainly there are things to do outside, but on an Alaskan cruise there is plenty to do indoors as well.
This is a small ship by todays standards but it’s a sister of the first ship I ever saw, the Jewel of the Seas. I was and still am amazed that this type of space and architecture can exist on an ocean-going vessel. Yet to the truly big ships this is unremarkable. I’m a simple man, and to me, this is really really big. Getting on a bigger ship seems like maybe going to the mall with a hotel that floats. The sea is almost incidental.
As we were sailing out of Skagway the Star Princess remained parallel to ours for about thirty minutes. The straight is not that wide and the sight of two massive ships in the light of dusk silently passing through must have been quite the thing. Only these areas are uninhabited save for the wildlife, so we were unnoticed save for the eagles sitting on treetops.
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There were four or five cruise ships in Skagway that day, I believe this is the same one I posted a picture of earlier. It’s hard to tell because in that picture I was standing next to it on the dock and it’s hard to get the full perspective up close.
The low light capabilities of the Sony A7RII allowed me to capture this at ISO4000. These kind of shots still amaze me when I think that just a few years when this type of shot was impossible. My preference is to shoot in low light, I prefer the moodiness of it.
My ship was Royal Caribbean’s Radiance of the Seas. I wonder if there was someone on the Princess ship watching our ship and taking a similar shot. If you’re out there somewhere let’s swap photos so we can see our own boat, eh?
This is a rendering of the midnight sun in the Alaskan summer. I took this from the balcony of a cruise ship late one evening as we sailed towards Seward. From my perspective on the ship there were hundreds of miles of mountains as far as you can see. The size of Alaska is so big that much of it is untouched by humans. I don’t know that for a fact but given the size, terrain and remoteness it is all but impossible to fully explore. Perhaps Alaska is one of the last remaining frontiers on earth.
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We live on an amazing planet and often I find myself without adequate words to describe what I’m seeing. Sometimes a photo will do but I may take liberties to express a feeling beyond what eyes can see. Of course, it’s all a matter of interpretation but I do my best. So when I see and experience the vastness of Alaska I am at a loss for words. That’s when I turn to art to convey something just beyond description.
Of course none of this is unusual. Case in point is the peoples of the original nations. Their art is prolific and profound and is shaped by the landscape, seasons and spirit of the region. Isn’t it interesting how artist seem to congregate in places where beauty is abundant? Obviously there’s something to it.
Back in the days of the gold-rush this was the red light district of the town of Ketchikan. Those days are long gone but naturally there are recreated saloons and bordellos along with souvenir shops.
There’s a lot of history in towns like this. All I know for sure is that the early settlers of Alaska had to be heart when you consider the hardships required to get here and then make it though a winter. It’s no wonder many spent their money here.
I was here in the summer at the peak of tourist season, but I’d be curious to see what it looks like in winter. I imagine most of the shops are shuttered with only a few open for residents. Most of the people that work in the shops are from the lower forty-eight, almost everyone I talked to was from somewhere else. I suppose Alaska and Florida have that in common.
Anyway, these buildings on stilts are typical of the area. I took this as I walked around the town on a rainy day.